I've played hand drums for about 30 years. Did some professional work before my kids came along but haven't done any since. I play a little with friends now and then.
Like several previous contributors I feel that my experience with drums has strongly affected my feelings regarding reproduced music. The steepness of transients and how sustained notes yield to silence are key to my perception of realism and musical flow from recorded percussion. These are very hard to get right, particularly for the big drums. When this is done right, though, a lot of other difficult stuff like, piano, brass and strings seem to be more correct as well. Therefore, percussion rich music figures prominently in the material I use to evaluate audio components.
Like several previous contributors I feel that my experience with drums has strongly affected my feelings regarding reproduced music. The steepness of transients and how sustained notes yield to silence are key to my perception of realism and musical flow from recorded percussion. These are very hard to get right, particularly for the big drums. When this is done right, though, a lot of other difficult stuff like, piano, brass and strings seem to be more correct as well. Therefore, percussion rich music figures prominently in the material I use to evaluate audio components.