Grant Green's version of 'Round About Midnight


For the last five years or so, Grant Green's version of 'Round About Midnight has been one of my favorite tracks. Ror general enjoyment or auditioning, on vinyl or cd (now on my server!) it still represents, for me, a truly intimate and well-recorded version of an oft-recorded classic. If you're a fan of jazz guitar, go get it now--seriously!

If you already know it and love it, I'd be curious to hear what other cuts (by any other jazz guitarists) you think also have this special combination of wonderful musicianship, producing/engineering, and intimacy. I guess there's something about the slightly melancholy sound of this track that has me entranced!
mimberman
Check out Grant Greens Best of and Idle Moments as well. Both quite good for GG depending whether you want to go shallow or deep into his stuff.

Burrell is awesome on pretty much anything he hsa done from solo, trio stuff to the great Ellingtonia sets. His work wtiht both Coltrane and Grover Washington were real enjoyable. Midnight Blue is a great classic. Live at the Vanguard is great for a live trio guitar gig with a mix of blues, jazz and a little latin.

Frisell is interesting. I like Nashville, East West, Good Dog Happy Man, Futher East-West,Frisell & Hirsch, The Intercontnentals.
Larry Coryell-Minor Bluse, Trio with Round Midnight and Shes Leaving Hom...cant remeber the name.
I think Mark Whitfield has been sadly overlooked since he started recording around 1990 or so. His album The Marksman is superb. Burrell, Benson(pre-Breezin') and Green all rolled into one.
In my opinion, Grant Green is the most consistant of all jazz artists. I could listen to him all night.
There are any number of Charlie Christian compilations. Pick one with his version of "Stardust" and "Swing to the Bop".

Oscar Moore was the guitarist in the Nat King Cole Trio. Although he is not that well known, his work is very impressive.

Danny Gatton played what he called "redneck jazz". He did make a true jazz recording, ""New York Stories Vol. 1". It's a hard bop jam session with Bobby Watson, Joshua Redman and Roy Hargrove.

One of the great jazz fusion album of the late '60s was Herbie Mann's ""Memphis Underground". It features both Larry Coryell and Sonny Sharrock along with the Muscle Shoal's studio house band. I particularly like their versions of "Hold On I'm Comin'" and "Chain of Fools".
I listened to "Round About Midnight" by Wes Montgomery and the Montgomery Brothers on vinyl and I can't decide which one I like best.