Diff in recording/reproduction in Analog/CD/SACD


Without going in to too much technical details, is it possible to discuss why analog sounds better? (Although having limited analog auditions, I think digital could come very close). Starting from how the recordings are made-old and modern, and recorded ( signal type and quality) on master tape and how the mastertape signal is transfered/reduced/upsampled? on Records/CD/SACD.

Once we go thru the original signal waveform and its transfer on records/CD/SACD, how it is being reproduced thru cartridge/laser to DA/laser to DA?

I know details are very involving but is there clear consensus that anlog has the least curruption of the original signal? Does not different cartrideges designs reproduce the signal 'differently' than the original, adding its own coloring to the signal?

Is Analog clearly the winner in the battle?

I would really like to know if there is some material out there that discusses these three different mediums.

TIA.

Nil
nilthepill
My favorite description of the difference between analogue and digital is that
Analogue is as approximate to perfections as it gets
Digital is the perfection of the approximation

Or there is always something lost in translation
I can believe that Albert's LP playback system, heard through his superb amplification and speaker system, and using well cleaned new audiophile vinyl is probably very close to the master tapes, and what more could you ask? He has stated that cost-no-object digital sources are, in his system, inferior. I cannot dispute this, because I have never experienced a system like his, and probably never will. However, I have auditioned some fairly high end vinyl playback equipment, just barely within the budget that I could consider, and I still hear problems which would annoy me, that are absent in even moderately priced digital sources.

If we consider only audio quality (neglecting convenience, and the potential of multichannel, where digital is a runaway "winner") I think that the answer depends on the price range of the equipment in question. Specifically, IMHO, a digital player costing about a grand, and playing a well engineered SACD or DVDA, will produce a signal suitable for all but the most costly amplification and speakers. I don't think that the LP can achieve this at the same price point (including, don't forget, the record cleaning machine that the experts say is essential).
I think Eldarford is wrong with regards to budget vs quality. I personally own two 10K plus CD players, as well as a table/arm/cart that I picked up on Audiogon for 750 dollars. The budget turntable is so much better than either digital player it's no contest, and I'm not playing perfect brand new records either. You don't have to have a mega thousand dollar system to realize the benefits of analog. I would hope than anyone reading Eldarfords opinion won't take it seriously. I think he's dead wrong.
Uru975, my favorite description is that vinyl is like a real dog, it pisses on the floor, leaves hair everywhere and has to be walked. CD replay is like a stuffed dog, no fuss, no mess, but not even a facsimile of the real breathing thing. Come to think of it, the same metaphor may be applicable to the tube/transistor debate, but that's for another day. Gotta go now, Boa2 and his sister are on the way over, wonder if they know "Stairway to Heaven"?
Ejlif...We differ in opinion. Who is right or wrong is for others to decide, hopefully by listening to the gear rather than reading this thread. Please note that I report my experience over 50 years of spinning LPs...it's not just a theoretical opinion. It sounds like you got a super deal on your TT/arm/cart. A good MC pickup costs a lot more.