SRA or Symposium?


Hi folks, I've always want to know which base is the most musical: the SRA (Ohio class) or Symposium Ultra? What do you prefer: to use a large base or to use several "feet" under the component? Or are the feet in fact the "poor man's" version of the base?

Chris
dazzdax
Chris,

I have not had access to a Symposium. Previously, I had several less than state-of-the-art isolation systems. Frankly, none were very good.

After months of research last year, including to talking to several designer-makers, I decided on SRA. I am extremely pleased with the results and can give the highest recommendation to SRA.

Ed
Chris,

I agree wholly with Ed (Cipherjuris)...Furthermore, you have a balancing act to do with feet...where do you place them, will it topple, etc...

When i put in my SRA amp stand, the bass tightened up very quickly and nicely...in my untreated room...

Another product that you may wish to consider is the Critical Mass Systems which I am considering next for my Pre and Source...

I have tried HRS Nimbus (not so good), Stillpoints (good), SOund MEchanics (okay), Cardas Blocks (okay)....

instead of looking at individual products, think of your needs...do you want to put your components separately or on a rack...this will help your decision making...

Hope this helps...
Are the SRA bases made of corian like material or very dense material like the one Dave Wilson uses (X-material)? Are sandboxes inferior to the sota bases? Could you also explain why? Sand grains allow movement in all direction of the horizontal plane and they absorb kinetic energy in the vertical plane, so in theory a sandbox should deliver the goods.

Chris
Krisgel - Had the same experience with the Symposiums. If I used the aluminum couplers, the sound was bright. I wondered if I was imagining it, but then tried them with some hard rubber feet under the electronics (from Brown Elec. Labs, that makes the BEL 1001...and this was at the recommendation of my dealer...it's how he told me to set up the Symposiums, but I did it by the book first, out of curiousity) and thought the Symposiums sounded better... the brightness was gone. Glad to hear I'm not the only one that had that experience. Now, I use the Symposium stands but don't use their couplers...just set the equipment on them with the BEL feet, and the sound is pretty clean. Overall, there's some improvement, but it's not night and day.
Hi Chris,

Sand grains allow movement in all direction of the horizontal plane and they absorb kinetic energy in the vertical plane, so in theory a sandbox should deliver the goods.

As the great Yogi once said "In theory, theory and practice are the same; in practice, they aren't." I had the sandboxes under my components. They added some sonic improvement, but the Symposium Ultra platforms with the Rollerblock 2+ and 2+ with grade 3 bearings were superior to the sandboxes in my system. Sonically, I didn't like the couplers that came with the Ultras. I used the Rollerblocks instead. However, I'll strongly endorse Teck5's suggestion to consider the Critical Mass platforms. These are greatly superior to anything I have tried in my system. I now have three Critical Mass Grand Masters (the new Black Label version) in my system and will soon have a fourth. The Grand Masters have raised the performance of my amps and CD player to a new level. A short note can't do justice to all the marvelous improvements they have already brought to my audio system. Therefore, I plan to post a more comprehensive review of the Grand Masters after I get my fourth platform. Stay tuned.

Best Regards,
John