Hear my Cartridges....🎶


Many Forums have a 'Show your Turntables' Thread or 'Show your Cartridges' Thread but that's just 'eye-candy'.... These days, it's possible to see and HEAR your turntables/arms and cartridges via YouTube videos.
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup 😎
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.

With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....🤪
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.

I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....🤗
halcro

Showing 21 responses by noromance

Interesting. Love the Albinoni Adagio. The X1 reminds me of the older Decca C4. 
Lisrened 3 times to each alternating between the recordings.
Initial reaction was:
1. Palladian - Where did the band go?
2. Z1 - Where did the strings go?
The Palladian sounded very syrupy while the Z1 had better air and sou ded cleaner. 

From a quick listen on phone speaker.
MC is lush, sweet, detailed, and colored.
MM is clear, neutral, spacious, easy to follow.
I listened to the track on Tidal and the tweets are NOT there. I think it's his phone!
LOL. 
Keep 'em coming. Love hearing these.
The truth is that a great table and arm will make inexpensive cartridges sing. 
From my phone. Prefer the JMAS.
Why? At 1:15-1:30, there is a simple melody that is easily followed on the MIT1. On the P77, it falls apart.
The MC has more detail and longer sustains.
However, the MM has a somewhat cleaner, more neutral sound. There is some steeliness to the sound.
Golly. That is interesting. Apologies for my musical ignorance compared to @frogman . Again this is just through my phone speaker.

MM - very easy to follow the basic melody of the piece. Clean sounding. Maybe even more dynamic. But that could be because fine detail is missing which may be swamping the system. 

MC - initially sounded more cluttered by lots of additional information. Sustains and harmonics were elaborate. As the piece progressed, I could hear the colors of the instrument. Different timbres made it come alive. There was a fuller, richer bass. I much preferred this. I did think there was some over-saturation at times on some chords which didn’t sound right but I’ve no reference point.

PS. Your speakers seem too close to the turntables and right wall. Too far apart? The sofa in the middle and glass table are objects I would remove. 
Decca - Clean, open, uncolored, unveiled, musical, emotional. Ketty is in the room.
FR - Nice (damned already!), musical in a warm and slightly irritating way, veiled by comparison, bass seems deeper but not quite as clear.

I listened to the MIT/Victor again - this time on PC/headphones. The MIT didn’t sound as good as this time - therefore aligning me more towards the Victor - with the caveat that there was more detail in the MIT.
You sure the Decca works well at 15k? Some say 33k, or 47k. But what about 1meg? You may be surprised.
Ha! Thanks for the smile, frogman.
I have the mono original of Love Letters. Now, I'll have to dig it out and see how it sounds on my Decca SG/P.
The Signet is more forward with better air and is sweet as a nut.
I believe it's compliance is high but the FR66 is high mass. I wonder if this is causing excessive brightness.
The Decca is amazingly less dynamic and immediate sounding in comparison. Which makes me a little suspicious as to the accuracy of the Signet.
That notwithstanding,  the Signet sounds very musical with lots more detail.
Thanks to your video, I held off buying a used Reference. And I run a SG/p as you know. 
Lost long post.
Long story short.
Sony just plays it, Signet tells the whole story. Better bass, drive, clarity, delineation, and purpose. 
Thanks @frogman. I listened to both again and while acknowledging the Sony has more initial bite, things quickly fall apart when things get going. The Signet also gives an initial perception - that of being a little muddy and gray... but then the lower-end grunt lets you know it’s not messing around! Further listening through the Signet lets you into the construction of the music. I once had a Croft 4S power amp. It was finely detailed and warm and I enjoyed it. One day a friend hauled an early 90 pound Michelson & Austin TVA KT88 monster up the stairs. Hearing the same music through it was a revelation. Gone was the enveloping warmth and detail, replaced with a new, unprepared for coherence, neutrality and most importantly, insight. In the same manner, the Sony is not unlike that Croft amp. And the Signet is the M&A.
On my phone. Signet for me. Better separation of instruments and easier to follow the melodies weaving through the piece.
150 is clearer with more insight and I prefer it. There is something sweet and SPU Gold about the 180 though.
SPU Silver sounds thin and spluttery on much of the pipe blowing, especially in the higher frequencies.
On my phone. Simon and Garfunkle sound more live with the Victor. The MC sounds more colorful initially ...until it just sounds colored and somewhat recessed. The MM is like opening the windows and hearing the live sound.
Interesting notes @frogman . 
I'm recovering from illness so not able to listen through my digital rig. 
By colored I mean that I can hear a color superimposed over the recording like a thin veil. I know it's probably an odd description and perception.  Once I detect it in a setup, I hear it with every recording. Whether there are frequency response variations in the MM, I don't really notice on the phone but now I'm curious. Nevertheless, it sounds clearer and more live and exciting.