High quality CD recordings


Over the last 55+ years I've spent significant time and effort trying, as we all do, to get the best sound from our systems as practicable. I'm quite happy with my current setup so the weakest link many times is the quality of recordings themselves.

I was reminded of this while using a test CD that I've used off and on for about 15 years to evaluate some recent changes I made. On this CD, after the more technical part of frequency testing is ended, examples of various instrumental and vocal presentations are given. While listening I was reminded of just how significant a difference in recordings themselves can make.

I've used advice given on these forums regarding superior recordings but these have been recommendations for specific single CD's like, for example, "Jazz at the Pawnshop" and many more. What I'm looking for, though, are recording entities that are dedicated to producing high quality recordings across the spectrum of music genres. It would be nice to have a source of recordings that we could generally depend on for good quality. Any suggestions would be appreciated.
128x128broadstone

Showing 9 responses by broadstone

Thanks. I've already ordered several CD's using these recommended sources and am looking forward to trying them.
Ok, I already received several of the CDs that I ordered based on these recommendations. Listening convinced me, once and for all, that assessment of and adjustments to one's equipment needs to begin with recordings that can be relied on for quality. I, for one, will pay more attention to recording entities when buying CDs in the future. What took me so long, you ask.
I've now received 9 of the CDs that I ordered based on recommendations here and am convinced that finding recording entities that have a reputation for quality is worth the effort. Buconero, one of your recommendations that I'm enjoying is one by the Chieftains, but not just for its quality. Discovering that singers with which I'm familiar in other genres such as Diana Krall and Bonnie Rait, are surprising to hear and enjoy in this venue.
Thanks, Ptss. I'm looking forward to your recommendations. I've been spending hours auditioning some of the CDs suggested in this thread and have been pretty consistently happy with them. Right now I'm listening to sound that is at least equal to the best I've ever heard from my system which inspired me to look at the case to determine who did the recording. When I looked up, though, I saw that the blue HDCD on my player was lit. This raises another question; could the excellence I'm hearing in this instance be at least partly a result of the format or is it simply the quality of the recording independent of the format?

I know there are arguments, even here on Audiogon, which differ on the subject but I would like to hear from you on this thread who obviously pay significant attention to the importance of recording quality.
As I do for all advice solicited on these forums, I'm usually just looking for good starting points toward particular and, in the end, adjusted personal goals. In the past, though, I've not paid sufficient attention to recording labels which has resulted in continued failed attempts to get more out of them than they could provide.

I don't have a purpose designed and built listening room, have suffered some age related hearing issues and have been advised that my equipment is not reference grade but it works well for me and seems to be quite revealing of upstream issues. Just so you know, these components are: Shanling Cd S-100, CAL Alpha DAC, Peachtree Nova as preamp, Peachtree 220W amp, Martin Logan Ethos speakers and misc not too special ICs and speaker cables.

Btw, Ptss, assuming my math to be correct, if 65 is the new 40, 72 would be the new 44, except I'm conviced that the effect on physical aging, including hearing acuity, beyond 60 is not as linear as we might wish.
Ptss, I also grew up in the country so, for the most part, experienced the same serene quiet that you mentioned. On the other hand, though, because it was a working farm there were many times when machinery noise was overwhelming for hours on end, day after day, and on and on, which probably started my hearing decline. I, too, had a crystal radio which I could only listen to in one exact spot in my room. Another parallel is that one of our most memorable vacation experiences was in Nova Scotia at a particular Scottish Highland games which featured music over field competitions.

Anyway, by now I've received quite a few CDs that I've been ordering since the beginning of this thread. Listening to them has been enjoyable and the recordings that I've ordered most of are under the Chesky, RR and Gramophone labels; they're all good and I appreciate the advice. As it turns out, quite a few of my existing recordings were also under these labels; I just hadn't previously paid attention to that aspect of my choices.

Just to make sure that I stay true to form and deviate from the subject of this thread, Ive noted your obvious considerable appreciation of great artists' genius based on your list of future chat partners. Because my education and work background has been in the sciences, my appreciation of genius was was relegated primarily to works in physics and mathematics. I've come to the realization, though, that genius in music composition is at least as remarkable and, possibly more rare.
Jazzfan, both are excellent and feature instrumentation matching my personal tastes. In the process of auditioning I also discovered another artist on ECM, Ralph Towner, that I enjoy and just ordered his "Anthem" album with which I imagine you're familiar. Thanks