How does the Technics SL 1200 compare with....

Managing resonances for sonics has to do with isolating and evacuating resonances generated internally such as those generated by the motor, by the spindle and arm bearings and by the cartridge. Managing resonances for isolation has to do with isolating the table from externally generated vibes such as footfalls and airborn and structurally transmitted musical feedback. Musical feedback also effects sonics, whereas footlfalls effect skipping and the like.

"Bang on the table the turntable is sitting on. You'll get nothing. The cartridge/arm will not move out of the groove. Now do the same for virtually any spring-suspension turntable(I know of anyway), and the arm will start jumping around like a 2 year old child with a tantrum..."

That is an example of isolation issues, possibly irrelevent or detrimental to sonic issues.

An example of prioritizing sonics is how Lloyd Walker chose to design his table using air bearing feet, the stiffnes of which was tuned by ear. This then sits on a massive wood platform, designed by ear, which then sits on sorbothane pads on a massive rack, which then gets strapped to the wall if footfalls are a problem. At each point in the continuum from table to floor, sonics are the priority. At no point does he allow issues of isolation to compromise sonics.

Incidentally, I'm not speaking authoritatively so much as theoretically. Imperical research is always king.

08-20-07: Shsohis
I'm currently using 1) Nottingham Spacedeck, VDH silver mod OL RB300 arm, Ortofon Rondo Bronze...

For about $1750, you could have a Technics SL1210 mk2 with KAB outboard PSU, Origin Live armboard, and their OL Silver tonearm. The combo would have wow and flutter around .01 to .025% and a weighted rumble figure of -78dB tops.

Would it sound the same as the Nottingham? No, but the differences would be a matter of taste and preferences. Would it sound as good? At least.

I had a Linn Basik turntable with a Basik Plus tonearm and Van den Hul wiring. I switched it out for a totally unmodified, only 'good' condition Technics SL-1200 mkII "just to see what happens" and was instantly converted.

You can find both tables for similar prices, and the Linn reputation would lead most Audiogon members to recommend that table, but there was just no comparison; the Technics was that good. And it's also nice to have an upgrade path via KAB electronics.

Speaking of resonances - in the tonearm - if you don't want to spring for a new arm, I can recommend wrapping the Technics arm with a $3 roll of cloth-based medical tape or similar materials. This does tame some spurious sounds to my ear, the chief benefit of which is that midrange and treble image density and solidity increases. My table/arm was bought with the Cardas internal wiring from KAB and I believe that wiring at this level has to make a difference. I can also vouch for the Sumiko headshell for at least the azimuth adjustment, if your cantilever is not perfectly perpindicular.

Just thinking that, if these modified SL-1200s are as great as touted, someone should seize the marketing moment and get a mass distribution thing going to coincide with the recent resurgence in vinyl. Sure there's a few aging 'Boomers here and there who'd prefer their LP-12s, Spacedecks, and the like on the strength of snob appeal alone, but a $1750-ish (??) table that bests designs costing five times that should sell like....well....commensurately with its reputation.