Whart,
You have me curiuos. I would love for you to compare the Airline to a Triplanar and to a Schroder. this would be the cats meow. Now, from what I undertand the XL table is a perfect match for the airline & gives you world class sound. I strongly believe in some tables possesing table arm synergy. Maybe some Audiogoners can fill in here. I do know that there is a lot of talk about cartridge & arm synergy. What about table and arm. To name a few simple examples, Basis w. Graham or w. Basis arm, VPI w. its own arm, the Kuzma combination, and TW Acustic w. Schroder or Davinci. There are more but I feel that some such as Walker or Rockport would lose thier magic w. an arm other than a linear tracking arm. I wonder if Mike Lavigne was ever able to compare a different arm on his Rockport (doubtful as it seems difficult to setup). Has Raul ever used a linear tracking arm? There is a lot to learn, but once again I turn back to system synergy as the key to having a world class system.
You have me curiuos. I would love for you to compare the Airline to a Triplanar and to a Schroder. this would be the cats meow. Now, from what I undertand the XL table is a perfect match for the airline & gives you world class sound. I strongly believe in some tables possesing table arm synergy. Maybe some Audiogoners can fill in here. I do know that there is a lot of talk about cartridge & arm synergy. What about table and arm. To name a few simple examples, Basis w. Graham or w. Basis arm, VPI w. its own arm, the Kuzma combination, and TW Acustic w. Schroder or Davinci. There are more but I feel that some such as Walker or Rockport would lose thier magic w. an arm other than a linear tracking arm. I wonder if Mike Lavigne was ever able to compare a different arm on his Rockport (doubtful as it seems difficult to setup). Has Raul ever used a linear tracking arm? There is a lot to learn, but once again I turn back to system synergy as the key to having a world class system.