Loricraft Garrard 301 to Dobbins Sp10 Mk3 - What can I expect ?


Folks,
I have been using a nicely modded Loricraft Garrard 301 for the last couple of years. Found a good deal on a Steve Dobbins Sp10 Mk3 and pulled the trigger on it. It will be arriving in a week or so. I am curious what can I expect from this change ? The Sp10 Mk2 didnt cut it for me nor the new SL-1200G. Mk3 that too coming from Dobbins seems to be on a much higher plane. However I would love to hear from you guys if you have heard the Mk3 vs 301.
pani

Showing 4 responses by lewm

Pani, You contacted me privately.  I have heard a Dobbins SP10 Mk3, sitting in the room with Steve Dobbins himself at the Rocky Mountain Audio Fest, back in 2011, I think.  I listened for more than an hour to music of different types. The tonearm was a Reed and the cartridge may have been an Ortofon A90 or a Lyra top of the line.  I think the Dobbins table will outperform your Garrard, mainly due to the fact that it is completely neutral, does not emphasize any part of the musical spectrum.  Anyway, you bought it, so you will be the final and only important judge.  You can re-sell the one of the two that you like the least, if you feel you only need one turntable. (Everyone needs two, in my opinion, at minimum.)
Chakster, "Kondo the Beat" is likely to be the turntable that Pani bought. Dobbins took the motor assembly out of a Mk3 chassis and sank it into his plinth, which is made of some non-resonant material, but I don’t remember what it is. Thus Steve got rid of the superficial escutcheon and the surround underneath that is part of a Mk3 chassis. It was in vogue to do this, back when the Mk3 was being re-discovered and you could still find them for sale at "reasonable" prices.
The Beat is also the turntable I listened to extensively at the RMAF in either 2010 or 2011.  Just Steve and me in the room late at night.

Ok.  But you're getting the main benefit: removing the motor from the OEM chassis and installing it directly into a non-resonant support structure.  I guess the Beat has a modified or brand new platter, as well. I don't know how much benefit that provides, since the OEM Mk3 platter is already a beauty and massive.  It was the Beat that I heard at RMAF.
Ferrari, thank you for the correction. After I wrote what I wrote, I started questioning myself also as to the identity of the motor used in the Kondo the Beat turntable. One glance will tell you that the platter is different from that of a Mark 3.Steve used to post here on Audiogon , but I have not seen anything from him in a few years. Also, I wonder what has happened to that product (Kondo the Beat). One does not see it mentioned these days. If out of production, it would surely be a highly desirable collectors item.Do you know any further details of its construction? For example, what motor did it use? Was it quartz controlled?