Marcin Wasilewski Trio: Austin
Mary Chapin Carpenter: Come on, Come on
New Queens Hall Orchestra: Fantasia on a Theme by Thomas Tallis
Mary Chapin Carpenter: Come on, Come on
New Queens Hall Orchestra: Fantasia on a Theme by Thomas Tallis
Gotta get me some more Gillian Welch! Here's another, as cosmic as lyrics come. I saw her do it live when she opened for Neil Young on his Greendale tour. What a show! https://www.youtube.com/watch?v=CywArYObn2U Emmylou Harris - The Pearl This may not be the best version. |
Lamentations by Banco de Gaia. Acquiescence by Banco de Gaia. Also, the same song's Tripswitch Remix. Everything is Free by Gillian Welch. A great song about how most artists are left with almost nothing in the age of free downloads. I'm Not Afraid to Die by Gillian Welch. April the 14th Part 1 by Gillian Welch, on the live Music from the Revelator album. If this song doesn't get you, nothing will. Revelator by Gillian Welch, also on the live album. Exquisite guitar work by Dave Rawlings. Coming up for Air by Patty Larkin. Beautiful. Make Me a Temple by Yael Illah. Achingly beautiful is a fitting description. Nearly everything on this album is like that. Desert Tranquility by Michael Keck, on the Islam album. Many beautiful songs on this album. I've broadened my music horizons in recent years. My favorite musician is Robert Rich. I would describe a lot of his music as haunting, such as Beyond Part 1. Not beautiful, but mesmerizing. I think of that song as symbolizing a descent into hell or into a human-created hellish world. |
The door which opened to me to the world of classical music by hearing Richard Wagners Siefried’s Funeral (Gotterdammerung). This music was so powerful, dramatic, alot of tension and so achingly beautifully put together, not only that, he introduced new musical nuances to the piece. When I heard it (and I listened mostly to heavy rock at the time) I knew I heard a masterpeice written by a musical genius. As to other ’classical achingly beautiful pieces’ there are to many very good contenders for me to pick second and third choices. |
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Someone earlier had mentioned Alison Krauss' cover of Richard Thompson's Dimming of the Day. I love that version; but I think Bonnie Raitt's version suits me a tad better. https://secondhandsongs.com/performance/8885/versions |
Aretha Franklin - I never loved a man the way that I love you. Eva Cassidy - (really anything) Diana Krall - A case of You Joni Mitchell - Blue John Lennon- Imagine Mozart - (Piano) moonlight sonata Billy Joel - And so it goes Natalie Merchant - (also really anything) The Beatles - Yesterday Alison Krauss - Ghost in This House My buddy said the sound of the screen door closing as his mother in-law leaves his house is so beautiful it always moves him to tears. |
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The Everly Brothers: Let It Be Me (also done beautifully by Dave Edmunds) Dolly Parton: I Will Always Love You The Kinks: Waterloo Sunset Bob Dylan: Knockin’ On Heavens Door The Band: The Clock Struck One; Whispering Pines Iris Dement: My Life; You’ve Done Nothing Wrong; Childhood Memories; Sweet Is The Melody; When My Mornin’ Comes Around |
Wow! 17 years and still going. I gotta chime in *Harry Belafonte - Take My Mother Home, Turn Turn, Scarlet Ribbons, Danny Boy, Try To Remember *Linda Ronstadt - Faithless Love, Long Long Time *Eva Cassidy - Fields of Gold *Left Banke - Walk Away, Renee (also Vonda Shepard) *Indigo Girls - Down By The River (live) *Many - Summertime, I think I lke Big Brother & the Holding Company best; but Even Perry Como did a really nice version * Cowboy Junkies - His Song/Her Song *Concrete Blonde - Joey * Isis (the old all girl band) - Rubber Boy * Candy Stanton - He Called Me Baby * Teresa Brewer - Let Me Go, Lover * Bonnie Raitt - I Can't Make You Love Me * Robert Plant & Alison Krauss - Killing The Blues There are so many great recordings listed here I haven't read them all, so please excuse me if I duplicated any. |
In no paricular order:
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Bringing this thread back from the dead.. I'm not a big Nick Cave fan, but his new album has some amazing tracks.. This one in particular is hauntingly beautiful, especially when you know that his 11-12 year old son died while he was making this album.. I've never heard such deep and raw emotion portrayed so directly and beautifully. Anyhow: Nick Cave - 'Distant Sky' off the album Skeleton Tree https://youtu.be/xCVgsI5h9p0 |
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Mozart Violin Concerto #3: Anne-Sophie Mutter (DG set of Mozart violin concertos, 2006) Beethoven Symphony #5: Herbert Von Karajan/Berlin Philharmonic (DG set of the 9 Beethoven symphonies, recorded in 1963 in the "old" concert hall in Berlin) "The Girl in the Other Room": Diana Krall (CD by the same name) |
Thanks, Tubegroover. Glad you enjoyed it! The text and some of the commentary at the link are a bit misleading, as Al Hibbler's recording of "Unchained Melody" was not the version used in the film. The song was sung in the film by an opera singer named Todd Duncan, as seen here. The Hibbler version, along with a couple of other versions which also became hits, were released around the same time. Innumerable other versions followed in later years and decades. Best regards, -- Al |
Speaking of popular songs from the 1950s, another one that I feel deserves mention in this thread is Al Hibbler's 1955 recording of "Unchained Melody." The 1965 recording of that song by the Righteous Brothers, BTW, is probably the best known of the countless other covers which have been recorded, but IMO doesn't hold a candle to the Hibbler version. Regards, -- Al |
Tubegroover---"Don't Worry Baby" is just gorgeous! My first live concert was The Beach Boys in the Summer of '64, and when Brian sang the line "and she makes love to me" in DWB, the girls in the audience went completely insane. But I didn't really know insane until seeing The Beatles the following Summer. The screaming was absolutely deafening! I hate to say it, but The Beatles live were only okay, as far as I could tell. I was pretty close to the P.A. column on John's side of The Cow Palace stage, and could sort of hear the vocals. Things were changing so rapidly in those times. Two years later I was seeing Cream, Hendrix, The Who, and The Grateful Dead live, and sound systems had come a long way in those two years. The stacks of Marshall and HiWatt guitar and bass amps and speaker cabinets were mostly for show, 'cause there was only one mic put in front of one driver in one cabinet of each player's stack. If you were close enough to the stage at The Fillmore or Winterland, however, you could hear sound directly from all the drivers in all the cabinets. My tinnitus proves I was! |
Speaking of the Beach Boys, I've been on a recent binge of their music. Three of their pre Pet Sounds albums contained several really good examples of the progression of their harmonies and Brian's music chops, a real step up from the early Chuck Berry inspired riffs and the simple but lovely "In my Room" and "Surfer Girl" ballads. The first two songs off "Shut Down Volume 2" and last two from "Beach Boys Today" both recently remastered in both Stereo and mono versions. I haven't heard "Kiss me Baby" for 40 years at least, oh those teenage memories flooding back. "Don't Worry Baby" "The Warmth of the Sun" "Kiss me Baby" "Please let me Wonder" |
Some of my favorites: The Lark Ascending, Ralph Vaughan Williams Cité de la Musique, Dino Saluzzi Romance in F Minor, Dvorak I Loves You Porgy, Keith Jarrett (solo) A State of Wonder - the whole album, especially Gould's more recent take (Gould/Bach) The First Time Ever I Saw Your Face - Roberta Flack Cavatina – John Williams Claire de Lune – Debussy Como un fiore – Ludovico Einaudi (pretty much the whole Una Mattina album, which is exquisite) Le Mystère des Voix Bulgares - Messetschinko lio Greilivko So many more, but that's a start... |