Naim Supernait vs XS vs Exposure 2010s


Anybody compare these amps?
My speakers are Devores gibbon
super 8's and I have heard the
Naim supernait with these speakers.
Very nice. Most musical sound I
have ever heard. My one complaint
is soundstage width. Even with their
expensive cds2? (18,000 $) cd player
the width would not increase. However,
front to back imaging was really good.

I hear the Exposure 2010s is musical
and transparent but nobody comments on
soundstaging.

I would also like to know if the Naim
XS and Supernait sound the same? I read
somewhere that the XS is smoother and rolled off.
For my system anything smoother than the Supernait
would be too smooth.

Would appreciate any insights and please don't
post links to forums that require membership.

Thanks
128x128scottmac62
Actually, I do have tubes.

I have a Cary 300b sei single ended
triode and I do like it a lot.

However, I also like different perspectives
and options in sound. That is why I like
to have several integrated amps on hand.
As long as they are not too large in size.
Like the RWA 30.2 which I also enjoy and
is really small and a very different sound
then my Cary and the Naim.

The DeVores sound great with both tubes
and ss. If the exposure is musical like the
naim with a wider soundstage then I would
like to give it a try.
Glad you know tubes! Does the Cary have enough power to adequately drive the DeVores? Having owned Naim gear in the past, I'm interested in the Naim/Exposure comparison as well. -Lars-
In my room the 15 watt (or is it 20?)
Cary has more than enough
power for the 8's. In fact, it has more
low end weight than my RWA 30.2.
The 30.2 has a little more control of the
low end but I always find the Cary to be
satisfying with what ever genre I throw
at it. My room is on the small side about
12 by 14 and it is a little overwhelmed with
bass at times with the Cary. So, a medium sized room should
be fine.

In addition, I just picked up a pair of
Auditorium 23 speaker wire and I can not
believe how musical this wire and combo is.
Unbelievable bloom, decay and a tonality that
just sounds right. They really make an emotional conection. I still like my Stereovox
for soundstaging but the Auditorium 23 is a must
have for this combo at a much cheaper price.
It also really adds that prat quality you hear
with the Naim gear. It is really hard to stop
listening and I will have to try the Auditorium's
on the RWA.
Since nobody is actually answering the question you asked i would like to chime in.The Exposure amp does imaging and soundstaging quite well.What you described about the Naim is quite common with the brand.The Naim products have never been known for their sounstaging abilities.The Exposure is very dynamic,and i find soundstage width to be quite good.I own it and the matching cd player and am very happy with the sound.It is warm and smooth (without being soft and mushy) and has excellent rhythm and timing(much like Naim).It is pretty much good all around which is somewhat of a rarity at the price point it sells at.
I am very satisfied with mine and i can't imagine you not liking it.It's kind of a cliche but the best word to describe it is musical.I went through a fair bit of gear(some higher priced) before i settled on the Exposure gear.None of it sounded so right to me.Btw,from what i understand John Devore has personally recommended it to a couple people when asked for a good inexpensive integrated to go with his speakers.
Cheers
I have a Nait XS, and compared it extensively with a SuperNait, a Nait 5i, and a Creek Destiny. I owned a 2010 for about a month.
The 5i and the 2010 perform at about the same level, with the 5i being "better" to me, in that it was more revealing of musical nuance. The 2010 sounded pretty harsh to me. Now, I will say that my point of reference is my ARC Ref series gear which is pretty smooth. I enjoy playing with the integrateds because I love the concept, and just love to play with audio gear... That said, I think the Supernait and the XS are about the same level product as each other, if you don't need the dac in the Supernait, get the XS. They both have MUCH more drive than their ratings suggest. As mentioned, I also owned a Creek Destiny amp. It was more transparent and "open" than my XS, but did not do musical nuance, and make the music "of a piece" nearly as well as the XS. Despite the 40 wpc difference in power rating between the Destiny and the XS, the XS had much more grunt and drive. The XS has plenty of transparency itself, just not as much as the Destiny. I kept the Naim XS, and sold the Destiny. It is the classic audiophile resolution vs musicality debate. But you asked about the 2010... I guess I would say that all of these are priced appropriately in my opinion. The 2010 performs like you would expect at the price point, which I believe is around1200-1500 if memory serves, the XS and Supernait are quite a bit more expensive, and well worth the extra cash imo.
Be aware that the Naims really DO take a long break-in period, a month (of play) at least. They run cool, so they can be left on. Once they are broken in, they can be turned off with a normal turn-on warmup (30 min.) only required to sound great. I am using a Nordost Valhalla cord on my XS, and it fully exploits the quality of the cord. It really lifts it to a high level. Also, the XS is the first piece that MUST be plugged into the wall. My other gear, including my ARC gear, benefit (or at least don't suffer from) being plugged into Audio Magic Stealth conditioners. But the XS sounded a bit dead into that. It is a really cool, fun to play with piece.
It sounds like you like to have a variety of gear around, to include tubes and solid state. I am the same way, and I find the Naim route is yet another avenue to satisfaction. There are tubes, there is solid state, and there is Naim. It is a different mode of musical delivery than most solid state or tubes. I see now why they have such a rabid following.