For the record, why limit yourself to "vintage" bookshelves ?
Is this a nostalgia wish? If so, fine, but...and it is a BIG "but"...
"Vintage" in speakers is not "vintage" in wine. Without prejuduce to avoiding the issues of replacing unavoidable deteriorating speaker surrounds, caps etc., as old speakers age, today's bookshelves speaker technology and build quality and their resulting audio performance will smoke the "vintage" fare.
Add to this that many of the old stuff had unique and purposefully exaggerated sonic signatures e.g JBL L-100s with their spiked treble and bass for 60s pop and 70s Geezer Classic Rock fare. They excelled in college dorm berry and Maui Wowee parties but sucked at Jazz, classical, etc. ( I had 'em along after a transient parade of EPIs, Acoustic Research, ADVENTS, DYNACOS , CAMBERs, and others , and conversely the classic British ROGERS BBC monitor and its clones (a la HARBETH) with their flat-line frequency response with a very rapid bass dropoff simply sucked out at rock but sounded just fine for polite Classical and "polite" light FM. The latter were also much more sensitive to their matched electronics (ergo quality build British ....) to permit them to perform at their max.
Your road to Oz for "vintage" kit is largely just pick-one-of-em IMO, especially if you are running them with matched vintage gear, subject to the notes of caution above.
Is this a nostalgia wish? If so, fine, but...and it is a BIG "but"...
"Vintage" in speakers is not "vintage" in wine. Without prejuduce to avoiding the issues of replacing unavoidable deteriorating speaker surrounds, caps etc., as old speakers age, today's bookshelves speaker technology and build quality and their resulting audio performance will smoke the "vintage" fare.
Add to this that many of the old stuff had unique and purposefully exaggerated sonic signatures e.g JBL L-100s with their spiked treble and bass for 60s pop and 70s Geezer Classic Rock fare. They excelled in college dorm berry and Maui Wowee parties but sucked at Jazz, classical, etc. ( I had 'em along after a transient parade of EPIs, Acoustic Research, ADVENTS, DYNACOS , CAMBERs, and others , and conversely the classic British ROGERS BBC monitor and its clones (a la HARBETH) with their flat-line frequency response with a very rapid bass dropoff simply sucked out at rock but sounded just fine for polite Classical and "polite" light FM. The latter were also much more sensitive to their matched electronics (ergo quality build British ....) to permit them to perform at their max.
Your road to Oz for "vintage" kit is largely just pick-one-of-em IMO, especially if you are running them with matched vintage gear, subject to the notes of caution above.

