speakers for classical music


Would like to hear from classical music listeners as to best floorstanders for that genre. B&W 803's sound good but want to get input with regard to other possibilities.
musicnoise
Jsadurni, doing a valid a/b comparison of Avantgarde with Mahlers on the same system may be a little challanging. . . Vienna speakers like to be driven stoutly with high current / high power amps. Avantgarde need to be driven gently with nimble low power SS or tube push-pull or triod amps as they are highly sensitive. G.
I guess there are two camps for audiophile reproduction, the SS camp with Lower efficiency speakers and the Tube camp with high efficiency speakers. To achieve a credible result for full symphonic orchestras in both camps top of the line equipment is needed. A mini monitor with cheap SS amps wont do it, and a single driver speaker with a single ended amp wont either.

The only SS-cone speaker system I have listened to that can do full orchestra was driven by Levinson monoblocks and had huge ADS speakers (with two 12 inch drivers per side etc. active subs, super tweeters) and top of the line electronics and turntable (RaulĀ“s system if anybody knows him) Mainly all other cone speakers I have listened to, even with good setups sounded like a nice reproduction of an orchestra, everything is there but smallish, really when you get your ears adjusted to that, these systems can be pretty enjoyable.
I had been going back and forth to cone and horn speakers and finally settled for horns, triamplified 5 way system, Of course because of the size of both systems and different electronics needed a direct comparison is very difficult, but the sheer dynamics of horns really put a smile on my face!

I was curious about a direct comparison anyway.....

FWIW, The Mahlers were on my list for a long time but never got around to them.
Not quite, High efficiency speakers may also be driven by low power SS amps to good advantage. Case in point, Avantgarde has designed and offers the Model 3 SS 30W class A/B push pull device with feedback loop, optimized for its speakers, even equipped with XLR connectors. My friend Frontier1 is currently using it and prefers it for Avantgarde Duos over every tube amp he has tried on Avantgarde Duos. I suspect that also some of the lower power SS Pass XA.5 amps may work well with the Avantgarde speakers.
Also, the old saw that high powered SS amps don't have a good "first watt" is no longer true in all cases. Jeff Rowland contends that you could never ignore the first watt and that you always needed linearity in all operating conditions. Yes, there'd be tons of unused power if you hooked up a 500 watt Rowland Continuum to a speaker requiring flea-watts, but it'd sound good.

Dave
Hi Dave, my only concern would be a very steep volume up/down. If a pre were to increase volume only by small fractions of a Db per step, even a muscular amp may work on some high efficiency speakers. . . actually Capri pre comes to mind, doesn't it have 0.1Db steps when turning the volume knob slowly? AN what about your Continuum 500?

G.