What is the characteristic of diff. Triode Tubes?


I am a bit confused about the sound characteristic (and maybe design concept as well) of these tubes for Triode design: KT-88, 2A3, 300B.

SET amp with 300B seems to be the most expensive one then 2A3 and KT-88. Is the price different just due to the cost of tube itself? Also does it mean that the 300B sounds better than 2A3 and KT-88 (which is not as stated by decware)

So if I would like to get into the SET amp, which tube should I be looking for?

For example, decware (zen amp) use SVETLANA SV83 or EL84/6BQ5 tube while ASE have option of KT88 and 2A3, and 300B tubes (which is more expensive respectively) while Cary uses 300B tube.

I am interested in ASL product (MGSi15 DT INTEGRATED(KT88) and ORCHID integrated (2A3))

If I decide to get the 15DT, does it mean that it sound will be inferior than the ORCHID model?

I know there are lots of variation and factors that effect the overal sound quality, but assuming other parameter were the same, what is the order of tube in term of sound quality?

Thanks,

Ake

PS Any 15DT user around here? Could you share some thoughts if you like it or not?
ake

Showing 2 responses by viridian

Before delving into the subjective differences in the three named tubes it might benefit us to answer the first question which is what are the characteristics of the three tubes. The 300B and 2A3 are true triodes or three element tubes, without getting too technical they consist of a cathode, a plate and a control grid between the two. When operated single ended the inherent distortion signature of these tubes is that distortion, although high, diminishes linearly as the harmonics of the fundamental increase. The KT-88 is a different beast. It is a beam power tube. A beam power tube is a pentode or five element tube; the elements are the cathode, control grid, screen grid, plate and supressor grid. The additional elements are used to collect and concentrate stray electrons flowing from the cathode to the plate into beams thus substantially increasing efficiency but, some would say, adversely affecting the distortion spectra of the tube. Such a tube, the 6550 is a similar power tube, can be operated without using the additional elements and then can be said to be a pentode tube operating as a triode. One problem with this is that the additional elements are still in the physical envelope of the tube and certainly affect the path of the electrodes from cathode to plate and are two more elements to resonate causing distortion. Although many would argue that the the distortion spectra of a pentode is subjectively improved by only connecting the three elements many also believe the the distortion spectra is still several orders of magnatude less consonant with the musical structure than true triodes.
Just to confuse matters my above description is of the 6550 the KT-88 is a kinkless tetrode but behaves the same way.