Can you decipher vocals clearly?
if not, some might call that a common form of "Congestion".
2-way designs with crossover points in the midrange where most vocals and music occurs are a commonly cited cause.
I tend to levitate to 2 way designs where the crossover is simple and occurs at higher frequencies.
The OHMs and Triangles that I use are good examples. Another I know of that follows a similar design approach on paper that I know of and many like is Reference 3a. I'm sure there are others.
if not, some might call that a common form of "Congestion".
2-way designs with crossover points in the midrange where most vocals and music occurs are a commonly cited cause.
I tend to levitate to 2 way designs where the crossover is simple and occurs at higher frequencies.
The OHMs and Triangles that I use are good examples. Another I know of that follows a similar design approach on paper that I know of and many like is Reference 3a. I'm sure there are others.