This is an interesting idea. There could be a lot of advantages to it, including some non-obvious ones. For example, if you got a new piece of gear ever few months to audition just on your own, you've got constant justifications to the spouse. If it's happening because you're part of an auditioning club, you explain it (and the money) once.
Anyway, I have a couple questions as well.
1. Would the club buy used gear, or would it be new gear?
2. Who sells it when it's made the rounds and is not purchased by a club member? The last person to "touch" it, the person who picked it, or the club "seller"?
3. It would be interesting to think about segmentation of this a bit too - for instance, this probably works more efficiently for preamps than it does for floor-standing speakers. Similarly, one of the values of auditioning is comparison, so it might be most interesting to do six preamps, followed by six pairs of speaker cables, etc. or something of the sort.
4. How many pieces are in circulation at any given time?
5. How long does a member get to hang onto a piece to audition?
6. With the answers to 4 and 5, how much of the year would a member be participating vs. waiting on the "sidelines".
7. How often would money have to be "refreshed."? It would seem that over time, the group would lose money buying and selling, and that the cost of auditioning would have to be borne through yearly (?) contributions.
Interesting idea.
Anyway, I have a couple questions as well.
1. Would the club buy used gear, or would it be new gear?
2. Who sells it when it's made the rounds and is not purchased by a club member? The last person to "touch" it, the person who picked it, or the club "seller"?
3. It would be interesting to think about segmentation of this a bit too - for instance, this probably works more efficiently for preamps than it does for floor-standing speakers. Similarly, one of the values of auditioning is comparison, so it might be most interesting to do six preamps, followed by six pairs of speaker cables, etc. or something of the sort.
4. How many pieces are in circulation at any given time?
5. How long does a member get to hang onto a piece to audition?
6. With the answers to 4 and 5, how much of the year would a member be participating vs. waiting on the "sidelines".
7. How often would money have to be "refreshed."? It would seem that over time, the group would lose money buying and selling, and that the cost of auditioning would have to be borne through yearly (?) contributions.
Interesting idea.

