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Capacitor log Mundorf Silver in Oil

I wished I could find a log with information on caps. I have found many saying tremendous improvement etc. but not a detailed account of what the changes have been. I have had the same speakers for many years so am very familiar with them. (25+ years) The speakers are a set of Klipsch Lascala's. They have Alnico magnets in the mids and ceramic woofers and tweeters. The front end is Linn LP12 and Linn pre amp and amp. The speaker wire is 12 gauge and new wire.

I LOVE these speakers around 1 year ago they started to sound like garbage. As many have said they are VERY sensitive to the components before them. They are also showing what I think is the effect of worn out caps.

There are many out here on these boards I know of that are using the Klipsch (heritage) with cheaper Japanese electronics because the speakers are cheap! (for what they can do) One thing I would recommend is give these speakers the best quality musical sources you can afford. There is a LOT to get out of these speakers. My other speakers are Linn speakers at around 4k new with Linn tri-wire (I think about 1k for that) and the Klipsch DESTROY them in my mind. If you like "live feel" there is nothing like them. In fact it shocks me how little speakers have improved in 30 years (or 60 years in the Khorns instance)

In fact I question Linn's theory (that they have proved many times) that the source is the most important in the Hi-Fi chain. Linn's theory is top notch source with lessor rest of gear including speakers trumps expensive speakers with lessor source. I think is right if all things are equal but Klipsch heritage are NOT equal! They make a sound and feel that most either LOVE or hate. (I am in the LOVE camp and other speakers are boring to me)

So here goes and I hope this helps guys looking at caps in the future. Keep in mind Klipsch (heritage Khorns Belle's and Lascala's especially) are likely to show the effects of crossover changes more then most.

1 The caps are 30 years old and
2 the speakers being horn driven make changes 10x times more apparent.

Someone once told me find speakers and components you like THEN start to tweak if needed. Don't tweak something you not in love with. Makes sense to me.

So sound
Record is Let it Be (Beatles)
The voices are hard almost sounds like a worn out stylus.
Treble is very hard. I Me Mine has hard sounding guitars. Symbals sound awful. Everything has a digital vs. analog comparison x50! Paul's voice not as bad as John's and George's. Voices will crack.

different lp
Trumpets sound awful. Tambourine terrible. Bass is not great seems shy (compared to normal) but the bad caps draw soooooo much attention to the broken up mid range and hard highs that are not bright if anything it seems the highs are not working up to snuff. I have went many times to speaker to make sure tweeters are even working.

All in all they sound like crap except these Klipsch have such fantastic dynamics that even when not right they are exciting!

Makes me wonder about the people who do not like them if they are hearing worn out caps and cheap electronics? Then I can see why they do not like them! If I did not know better from 25+ years of ownership that would make sense.

For the new crossover I have chosen Mundorf Silver in Oil from what I have read and can afford. I want a warm not overly detailed sound as Klipsch already has lots of detail and does not need to be "livened up" they need lush smooth sounding caps. Hope I have made the right choice?

When the crossover is in I will do a initial impression on same lp's. Right now it goes from really bad (on what may be worn vinyl) to not as bad but NOT great on great vinyl. (I know the quality of the vinyl because tested on other speakers Linn)

The new caps are Mundorf Silver in Oil and new copper foil inductors are coming. I will at the same time be rewiring the speakers to 12 guage from the lamp cord that PWK put in. PWK was a master at getting very good sound often with crap by today's standards components.

The choice of speakers would be a toss up now depending on what I am listening to. Klipsch vastly more dynamic but if the breaking up of the sound becomes to much to effect enjoyment the Linn would be a better choice on that Lp. If I could I would switch a button back and forth between speakers depending on song and how bad the break-up sound was bothering me.

volleyguy
volleyguy OP
789 posts
 
Dgarretson

"Ditto for Mundorf Silver/Gold. IME the main thing that changes through break-in is that the better film caps relax and become supple, warmer, dimensional & airy. The forwardness and brightness that prompts some users to prematurely unplug them disappears".

This I can see but with the Sonicaps my knock was NOT forward and brightness but dead and lifeless lack of dynamics they were not bright. So can a cap after break in get more life? That I have not heard of. That is why I have wrote them off at 30 hours.

The Duelund's I have not (wrote off) as they are very dynamic! They are edgey and hard to listen too but sounds just pop! What Tony Gee says is true that violins sounded like they were coming right out of the speakers. When I put the Mundorf's back in they sounded somewhat soft by comparison. (but relaxed and nice to listen too)

If any cap fits the typical breakin sound it is the Duelund's as they are dynamic and edgy. So my comments only meant to say the Mundorf is very easy listen right out of the box.
dgarretson
2,394 posts
 
I have no experience with Sonicaps. It might be interesting to wire them in parallel and plug them into an AC outlet for several weeks, then reinstall.
volleyguy OP
789 posts
 
Ok guys I have put the Duelund back in this time with the Supreme for a much longer burn in.

I have also upgraded the source. I was using a cheap NAD Cd player which is not wise now that things are getting serious. Now I put in the Linn Karik CD player. I would put my reference which is what I am voicing the speakers for which is the LP12. Mine is fairly loaded LP12 which is miles better than the Karik but the phono stage on the Fisher tube amp is too loud. The Linn pre and amp sounded just horrible on the worn out caps. So I was forced to use the tube amp to make things listenable.

I did listen to the same CD again with the Karik and the Mundorf's and the improvement was not that great. Made me me feel like there was not much difference from a cheap CD player and expensive one. Then I put the Duelund's in and Wow! Duelund's VERY source dependent. They are louder brighter and reveal upstream weakness.

My main comment on the vintage caps was a dynamic mess. The Duelund's are a dynamic dream. They make instruments sound soooooo real!
volleyguy OP
789 posts
 
The Duelund's are changing fast!!!! I can not believe I called them bright! Holy Crap!

Very emotional right now.

A Day in the Life (Beatles) Feels like the first time I ever heard it.

I can not believe how good they are. Either it is the mix back with the Supreme instead of Silver in Oil or the better source or break in. But I take back ANY negative comment about the Duelund. Oooooh Soooo Natural.

I will post next time all the differnent instruments and things I never heard before. Going for dinner.
volleyguy OP
789 posts
 
Unbelievable is the best way to describe Duelund. These things are beyond words. I believe Mr. Paul Klipsch himself would have LOVED these caps! Mr Duelund is going down in audio history. (I know he has past away but is going to be remembered)

Elanor Rigby
I could pick out whether it was the bass cello or viola or violin and I mean with ease! (viola and violin are tough to tell apart to me as they have overlap if I remember correctly from the school orchestra just can not remember how many strings)

Just to give an insight to what I am hearing the start of Elanor Riby (before Paul sings)

is Cello (with violin in background)
then violins come in the forefront (and with cello in brackground)
then violins again (I believe two) with the cello player in the background. This is all before Paul sings.

It's incredible! It was always just strings before.

Now it's Paul singing upfront and the the violin players are right behind him (at least two) (with the main violin playe or two right beside him) him in depth and in the back of the soundstage is the cello (or cello's)

I am off too bed. I am trying to say more but my mind just keeps drifting into the music. I believe when these are broke in I can say just how many pieces are being used and where they are.

I have never heard anything like this.

The music goes from one intrument to another with such balance. Tremendous detail and no grain. I can not believe how they make each instrument sound so distinct.

Until now all the cap combo's gave up in some area to the original's. These give up nothing to anything! This combo is a upgrade in every sense.

Something (Beatles)
When George says Your asking me will my love grow. (and the ace picks up)
There is some unknown instrument there like a banjo! This is on the Bealtles Love CD and I have NEVER heard it before and it is like George Martin's son is screwing with us. It just comes out of no where and the first time I heard it I thought something popped in my speaker. It is there twice and is on purpose? It lasts for about 10 seconds.
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