Transformer coupled / Capacitor coupled


Just a question from my curiosity. I remember someone recently mentioned here that capacitor coupled pre-amp sounds better and is more expensive and rare, than transformer coupled ones. Could someone elaborate, as to the difference of those two and how each design works and why either sounds better? Thank you!
khokugo
Hi Jcaudio: I agree, if you have a transformer I think you must have impedance issues. A Trany is inevitably a bandpass filter usually about second order or so (12db an octave). In the article TL spends a lot of time looking at impedance matching -loading the source, excessively high output impedance, ect.. and states that "As with all transformers the ultimately realized output bandwidth is very much system and application dependent." Gotta agree with that.

I remain,
Clueless,
I believe per the article that the transformer application he is attempting is in a passive device. I think that is why the active transformer coupled pre's don't have that issue. They are 600 ohm instead of the 50k or 100k many actives use. We drive not only a variety of tube amps but the Gamut solid state which has 10k ohm active balanced curcuit with unbelievable authority and resolution. This amp is in stark contrast to the tube amps we drive with input impedance numbers as high as 100-150k. Wide range for a single pre do be able to handle such extremes with no loss of any musical content. His article points out the very reasons passive devices cannot compete in most real world situations. Thanks again for the heads up. I like to stay current on all this cool stuff. Wish you were local. You could attend one of our shootouts:)
Jc: I'm about as "local" as you can get. I just don't live by you.

I'd love to hear one of your shootouts.

Sincerely
I remain,
The Audio Note, EAR (E11??), the big Jadis and Atma-Sphere (P-2) preamps are the only high-end audio transformer-coupled units out there to my knowledge.

Transformer-coupling is common in professional tube gear, particularly from the 50s and 60s. This is because the equipment had to match to the 600 ohm balanced line standard (which is still very much around today). Tubes coupled by output coupling capacitors would never be able to play any bass driving a 600 ohm load!

We built the P-2 (discontinued when it was replaced by the MP-3) so it could drive the 600 ohm standard as well. The nice thing about the 600 ohm standard is that it ameleorates the role that interconnect cables play in the sound of the system, which is why the standard has been used for the last 5 decades by the professional recording and broadcast arts. Its always been a puzzle to my why audiophiles are so slow to embrace the same standards, despite having the same concern about cable qualities. This has spawned the high-end audio multi-million dollar/year cable industry.

We're an OTL manufacturer, but we've been a major supporter of balanced line technology for the last 14 years (mostly due to prolonged exposure to the recording studio); our preamps support the standard using direct-coupled ouptuts, which is the only other way to do it as capacitors won't work (since no-one would take a tube preamp with an electrolytic output coupling cap seriously...). IMO, its a shame that more manufacturer's aren't wise to what's happening here (sorry for the hype blast).
No reason to apologize for recommending what appears to be sound engineering practice.