Rowland 302 v. Krell 400CX


I currently have a Krell 400CX and am thinking about getting a Rowland 302. I am using Wilson Watt Puppy 7 speakers and Cary 306-200. My musical taste is all over the map. I am wondering if people have experience with the Rowland 302 and possibly with Wilson Watt Puppy speakers and if they think its a better fit than the Krell?

Michael
radioheadokplayer
The Rowland is based on the ICEpower module, which puts it in the digital amplification category. Which means, among other things, that it does not need to be large or heavy. Their 201 monoblocks are 250/500 watts, weigh 13 pounds, have no heat sinks, and are no bigger than a ream of paper. The technolgy is sufficiently different that I believe some of Stevecham's comparisons with the Krell are not valid--sort of apples and oranges. I don't know how well the Rowlands deal with low impedance situations, however. I own the 201's. I recommend you try to hear them, or the forthcoming 501's, or the 302, which I have not heard.
Stevecham - The 302 is an entirely different design. Believe me, it has plenty of "electrical control" and dynamics. I'm using it with Rockport Antares, in which the impedance does sometimes dip to 4 ohms. The 302 is the best amp I've ever heard - by far. I simply wanted ,to add these comments, because I don't think one can fairly compare these two amps,using parameters such as power into low impedances, weight, etc.
Rowland 302 is a fantastic amp. All the Krell I have heard in the past is quite dynamic and analytical. I don't feel the Krell / Wilson match is a good one if you value musiciality and naturalness. Rowland does the best of both tube - like sound and with the best dynamics and control of solid state. My opinion is it is a far better match for your Wilsons.
I would be interested in learning more about these amps from a technical standpoint. I was unable to find out more beyond what was posted on the Rowland site.
Jfz what other amps did you try with your Rockports? (you said the 302 was the "best - by far", that's quite a statement, wouldn't you agree?)

As other audiogoner may already know, I abhor the use of terms such as "best" or "worst" as I don't believe such absolutes actually exist.

Also I noticed that the frequency response for the Rowland is stated as 5 - 60 kHz +/- 3 dB while the frequency reposne of the Krell is stated at 0.1 - 240 kHz + 0 dB/- 3.0 dB.

So while I agree that specs don't tell the whole so- called "musical" story, at least from an electrical design standpoint, "digital" IEC or otherwise clearly Krell is superior on several fronts. Also, I have yet to see anyone credibly argue that Krells specs are other than conservative. (NOTE: I did not, nor will I ever, say that Krell is "best").