Reference quality line stage?


I'm planning the purchase of the last line stage I'll ever need (as distinct from the last one I'll ever buy...). It's going to be used for two-channel stereo only. It will sit between my Audio Note 4.1x Balanced Signature and a pair of Wavelength Triton Blue monoblocks driving Coincident Total Victory speakers. My opportunities for auditioning units in the price range I'm looking at are severely limited, which is why I'm asking for thoughts here.

My musical tastes run the gamut: orchestral, chamber, jazz, rock, folk, blues, even some alt country. My audio tastes are decidedly single ended triode: I like music that's palpable, fleshy, detailed, open, dynamic, extended and just plain real.

I'm looking for a line stage that's going to give me everything with as little fuss and attention as possible. My mechanical requirements are simple. My minimum configuration would be: single ended, three inputs, one output. I need about 10db of gain. Remote volume control would be nice but not essential. Anything beyond that (balanced operation, remote source selection, tape outputs, HT capability etc.) is OK if it doesn't compromise the fundamental quality of the unit.

The price range I'm looking at is $10K to $15K USD. I have no preference for new or used. The short list at the moment includes the Blowtorch, the VTL 7.5 and the Aesthetix Callisto Signature. I'm a bit hesitant about the Callisto, frankly, because of the number of tubes - it looks to me like there's too much potential for care and feeding problems down the road.

Any thoughts on my three candidates or suggestions for others I should consider are welcome.
gliderguider
Bob: First of all, i had no idea what the rating of the Blowtorch was in terms of gain.

I based my statements on the interaction between a Blowtorch and an amp rated at 200 / 400 with a factory rated input impedance of 24K. Using a one box CD player as a source, the volume control on the Blowtorch had to be cranked near maximum to obtain "reasonable" spl levels. Even at this volume setting, the sound was not punchy or dynamic. I didn't pass judgment on the Blowtorch in terms of sonics as the rest of the system was not of the same calibre as the Blowtorch itself. Having said that, the lack of gain was apparent in this specific set-up, so i thought that i would pass this information on based on this experience.

While i know that you guys / CTC would bend over backwards to take care of a customer based on past experiences dealing with you, $10K+ is a lot of money to spend on something that could be initially quite disappointing. That's why i suggested talking to either you or John PRIOR to purchasing one of these units to get the low-down. NO offense to you or your product, just trying to be helpful and honest. If i thought it wasn't worthy, i wouldn't have bothered to suggest such things. Hope you and any others interested in a Blowtorch understand where i'm coming from. I was NOT "knocking" the Blowtorch.

Having said that, I appreciate your honesty in terms of clarifying that your product ( like all others ) should be electrically compatible with those connected to it. Many other manufacturers would simply sell a product knowing that it wouldn't work well in a given situation and then tell the customer that they must have a cable based problem. I'm glad that CTC acknowledges component / system diversity and offer a suitable "real world" solution to such problems based on proper engineering. Sean
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Sean, the 24K input impedance is OK as won't drop much, if any gain, there......Sounds like the amp only had 20db of gain instead of 28.3db which has become a standard of sorts.......Running balanced into 100k amp impedance with 28.3db of gain from a 2v out DAC I run the volume at 10:30 or so into 89db speakers here.....Running the unit single ended into 50K I run the pots at 12 O'Clock and was how I set it up five years ago. Easy to get more gain if necessary......Bet that was at the dance club in Desplaines, Illinois which was a huge and very boomy room about the size including height of a basketball court......Not sure the Chicago Symphony could fill that room much less anything for use in a home HiFi :-)
Tbg, how would you know? You have never had the bulk of preamps mentioned in this thread, including ours, in your system. Norm, your priorities are also different than the original poster as you have always thrived on leading edge at the expense of a proper stage including depth.....Your system will just about recreate a drum in your room whereas most of us prefer to be taken to the site of the recording.....
I used to own a First Sound Deluxe MKII and found that the timbre of the music to be so natural and the dynamics second were very extended.I found the tube amp to be very reliable and the build Quality first rate, also Emmanuel is a true gentleman and a real pleasure to do business with.If you like great dynamics and soundstaging then look at the Presence ( very few used ones out there). I am sure that there are a lot of great preamps at this price range so talk to some manufactures and see who is willig to work with your current system-Take care Dennis