Buscis2, with respect to who is with the Boys on this effort, this is from the Dan website:
"Everything Must Go took roughly a year to record -- a veritable wind sprint given Becker and Fagen's legendary meticulousness in the studio. "We went for live tracking this time and got great, in-the-pocket tracks," says Becker. Donald Fagen adds "It's mad: it's wiggy: I love it".
The core band included Keith Carlock (drums), Ted Baker (keyboards), jazz sensation Bill Charlap (keyboards), and Jon Herington and Hugh McCracken (guitars). Becker played bass and guitar, while Fagen contributed keyboards, organs, Rhodes, synths, and -- on all but one cut -- lead vocals. Becker's solo singing on one tune marks the first such credit for him in Steely Dan's studio oeuvre.
Engineering were Elliot Scheiner, Dave Russell, Roger Nichols -- all of whom received Best Engineering Grammys® for Two Against Nature -- along with newcomer T.J. Doherty. Superstar tracking and mixing engineer Elliot Scheiner comments on the process, saying "We did a few things differently -- including tracking and mixing in analog instead of digital. That contributed to giving this album a really rich and satisfying sound"."
"Everything Must Go took roughly a year to record -- a veritable wind sprint given Becker and Fagen's legendary meticulousness in the studio. "We went for live tracking this time and got great, in-the-pocket tracks," says Becker. Donald Fagen adds "It's mad: it's wiggy: I love it".
The core band included Keith Carlock (drums), Ted Baker (keyboards), jazz sensation Bill Charlap (keyboards), and Jon Herington and Hugh McCracken (guitars). Becker played bass and guitar, while Fagen contributed keyboards, organs, Rhodes, synths, and -- on all but one cut -- lead vocals. Becker's solo singing on one tune marks the first such credit for him in Steely Dan's studio oeuvre.
Engineering were Elliot Scheiner, Dave Russell, Roger Nichols -- all of whom received Best Engineering Grammys® for Two Against Nature -- along with newcomer T.J. Doherty. Superstar tracking and mixing engineer Elliot Scheiner comments on the process, saying "We did a few things differently -- including tracking and mixing in analog instead of digital. That contributed to giving this album a really rich and satisfying sound"."