I havn't had that good luck with imported pressings. The surfaces are usually quieter but the sonics have not always been to my liking. I have most problems with Japanese pressings, though there are some very good ones out there. My experience is that, very broadly, the pressing from the country where the work was recorded sounds best. The reasons are many. The one that seems to have the most currency is that record companies are reluctant to let valuble masters leave the country so they send dupes of "safety masters" for foreign pressings. These are often a minimum of one generation away from those tapes used in the country of origin.
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- 17 posts total
- 17 posts total

