i'm not familiar with Anner Bylsma but my favourite of the bach cello suites, (gendron, fournier, casals) is still Fournier. I just don't understand Casal's bach Cello Suites. As for the sonatas and partitas, my order of preference are Szeryng or Grumiaux, 1960s Milstein. I feel like sucking old cardboard when I hear the Szigeti. Maybe I'm just not philosophical enough for him.
I'm not a Yo Yo Ma fan either. He's a great person and I appreciate his efforts to explore various music but he simply doesn't move me the way Natalia Gutman, Rostropovich, Fournier do.
The shostakovich cello concerto is really worth hearing live (oh god, i forgot which one, the one that opens with the 4 repeated drummings (three short and one long)......) It's extremely impressive and overwhelming... emotionally, energetically, and technically. I have a Rostropovich Svetlanov recording from the world premiere which isn't bad, but ofcourse the acoustics is compromised.
Have you tried Bartok's string quartets?
Linda, whose CDs have been gathering dust across the pacific.
I'm not a Yo Yo Ma fan either. He's a great person and I appreciate his efforts to explore various music but he simply doesn't move me the way Natalia Gutman, Rostropovich, Fournier do.
The shostakovich cello concerto is really worth hearing live (oh god, i forgot which one, the one that opens with the 4 repeated drummings (three short and one long)......) It's extremely impressive and overwhelming... emotionally, energetically, and technically. I have a Rostropovich Svetlanov recording from the world premiere which isn't bad, but ofcourse the acoustics is compromised.
Have you tried Bartok's string quartets?
Linda, whose CDs have been gathering dust across the pacific.

