Telarc cd's and Mozart's Requiem


Back in the 80's got some Telarc cd's because they were supposed to be some of the better recordings out there. In general, do cd's sound better nowadays due to recording technology, etc. compared to the 80's telarc cd's or do the telarc cd's still hold their own? Also, can anyone recommend a quality recording of Mozart's Requiem (cd or sacd)? I currently have the 1986 telarc version by Shaw.
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The best versions of Mozart's Requiem I have heard (and have gone through many) are John Eliot Gardiner's on Philips and Christopher Hogwood's on L'Oisaeu Lyre.
Yes new CD recordings will sound better than most mid 1980's Telarc versions. Back then Telarc had a lush sound in general but detail is somewhat opaque compared to newer Telarc recordings.

My current favorite CD version would be Herreweghe/Harmonia Mundi, 1997 recording that has excellent sound and performance.
Agree with Kr4 on the Linn for SACD; I was not that impressed with the Channel Classics release with the Netherlands Bach Ensemble on SACD. The best performance in my book and a pretty good recording is the Peter Schreier (can't remember the chorus, it was a German chorus) performance on Philips, probably a recording from the 80s or early 90s--great soloists and singing. Check the archives for the Mozart Requiem, you'll find a number of recommendations as well as the details on the Schreier, as it made a lot of people's lists.
I'll second the Peter Schreier on Philips more for performance quality, which I care about more than sound quality (I sing in a professional chorus). It does sound very good as well.

Note that the Hogwood is not the traditional Mozart Requiem which was "unfinished" at Mozart's death; and was complete by one of his students using Mozart's outline and notes.

The Hogwood is a version completed by some Mozart scholar more recently. Unless you like to experiment, you'll probably be disapointed with it. Other than the first half of the movements which Mozart completely finished, it is totally different.

FYI, Schreier is/was a professional tenor (and a good one), before becoming a conductor. It shows in that he cares about the singing first. Many conductors focus on the orchestra and leave the singers and chorus to fend for themselves.

The Gardiner uses "historic" instruments and techniques I believe, and a smaller chorus, so you'll have to decide whether you want that kind of sound as well.

The Schreier has a more typical, more modern instrument presentation like the Shaw, with a large chorus and excellent soloists..