Beemerrider, I agree with you about pieces with greater melodic content as better points of entry for most of us. You've suggested good works for starting points.
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Classical music - starting points
Various posts in a number of threads, most recently "Audiophiles who refuse to listen to classical" suggest there are a number of people who are looking to find a way to get into classical music. I thought it might be worthwhile if some of us who have found a way, even stumbled into one perhaps, could give some advice. If possible we might try to recall what first hooked us on classical music, identify the piece and, if relevant the performance, and describe what grabbed our attention.
I hope that others will use this as a guide to pick an approach which fits their musical tastes.
I'll start with three critical pieces for me.
Beethoven's 7th Symphony, Second Movement, Bruno Walter conductor. This was 11th grade, and quite simply the first time I was ever moved by a piece of classical music. I was caught up in the force, the drama, the inevitability of the music.
Mozart Symphony 35, George Szell conductor. I think this was as a sophomore in college. The sheer energy, the exuberance and speed of the piece had me putting it on repeat in a manner previously reserved for the Beatles.
Mussorgsky/Ravel Pictures at an Exhibition, Fritz Reiner conductor (my current favorite version). The color and shattering power of the orchestra. I bought into CDs early and for a while my favorite track was The Great Gate at Kiev, the last portion of Pictures, from a demo disk that came with my player. I'm surprised I wasn't thrown out of my apartment.
While my tastes have broadened since then, each of these three works still remains a favorite.
I hope that others will use this as a guide to pick an approach which fits their musical tastes.
I'll start with three critical pieces for me.
Beethoven's 7th Symphony, Second Movement, Bruno Walter conductor. This was 11th grade, and quite simply the first time I was ever moved by a piece of classical music. I was caught up in the force, the drama, the inevitability of the music.
Mozart Symphony 35, George Szell conductor. I think this was as a sophomore in college. The sheer energy, the exuberance and speed of the piece had me putting it on repeat in a manner previously reserved for the Beatles.
Mussorgsky/Ravel Pictures at an Exhibition, Fritz Reiner conductor (my current favorite version). The color and shattering power of the orchestra. I bought into CDs early and for a while my favorite track was The Great Gate at Kiev, the last portion of Pictures, from a demo disk that came with my player. I'm surprised I wasn't thrown out of my apartment.
While my tastes have broadened since then, each of these three works still remains a favorite.
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- 32 posts total
- 32 posts total