Not only, Patrick!
The symphonical brass recordings do stress a lot the speaker drivers with the widest freequency spectrum including unaudiable freequencies(that basically signify the tembre of a particular instrument or group) that are present in this case on significant levels that are probably beyond the speaker curve. To reproduce symphonical brass I believe there should be the power-hungry full-range speakers and a huge power to drive them. If these conditions are not met there will be a huge amout of destructive mutual influence between different instruments and the ONLY ONLY way to cut this problem to the roots is to go to the concert hall and listen to it live.
Thus, the only test for the speaker/amp I don't do is the symphonical brass mentioned here even despite my adoring of Symphony 5 and 9 of Beethoven. Not for my budget or even not for my twice-budget either.
In case with CD or even HDCD(forbid my analogue habbit skeptics) the highs are extreamly limited and cut and so might and probably do inflict such distortions that are unaudiable on higher volume levels but still I bet present.
I must say that the author of this forum should contact Sean(the member of the 'gon) that has a pretty vast knowlege how it's done in reality and how expencive it could be. Also talk to Rives that might define if there is some room issues in that case.
The symphonical brass recordings do stress a lot the speaker drivers with the widest freequency spectrum including unaudiable freequencies(that basically signify the tembre of a particular instrument or group) that are present in this case on significant levels that are probably beyond the speaker curve. To reproduce symphonical brass I believe there should be the power-hungry full-range speakers and a huge power to drive them. If these conditions are not met there will be a huge amout of destructive mutual influence between different instruments and the ONLY ONLY way to cut this problem to the roots is to go to the concert hall and listen to it live.
Thus, the only test for the speaker/amp I don't do is the symphonical brass mentioned here even despite my adoring of Symphony 5 and 9 of Beethoven. Not for my budget or even not for my twice-budget either.
In case with CD or even HDCD(forbid my analogue habbit skeptics) the highs are extreamly limited and cut and so might and probably do inflict such distortions that are unaudiable on higher volume levels but still I bet present.
I must say that the author of this forum should contact Sean(the member of the 'gon) that has a pretty vast knowlege how it's done in reality and how expencive it could be. Also talk to Rives that might define if there is some room issues in that case.