Of course wood, in my book, is MUCH nicer to the eye than the proverbial metal rods, pipes, shafts etc... MDF is a mixed bag of goods, not a priori bad; the thicker IMO the better.
About the rack/shelves: (Not being a specialist, take my comments w/ a grain of salt...)
I think the positive effects that Bob refers to are, that you may have the whole rack (shelves included) being vulnerable to less frequencies on the vertical plane. The rigidity of the rack would restrict vibration on the horizontal plane -- albeit its height looks like it would make it more vulnerable to resonances there.
OTOH, the wood mass may be "friendly" to low-frequency --higher amplitude level resonance. This is important, I think, and can only be addressed at each shelf-to-component level, by either DAMPING (i.e. find s/thing that turns some of the vibrational energy into s/thing else say, heat) or TUNING each component (using cones, pucks, etc that alter the resonant frequency of the component-rack system).
Strange though it may sound, I get better (subjective) results when resonant frequencies are higher than lower -- probably due to the lower amplitude of higher frequencies even though they play well within the critical audible spectrum (lower mid-range...). Whatever.
As Bob implies (I think) start out with components directly on the beautiful wooden rack, maybe putting sources/pre closer to the bottom (less prone to vertical movement) just for starters. Then change around. Take notes. Then play around with devices between component & shelf. If you can, try out a damping device such as Neuance shelf: sit the component on a Neuance, couple the Neuance to your shelf with s/thing rigid (cones?). Jadem6 has been successful(and so have I, copying his epxeriment) using bubble wrap b/ween Neuance and other shelf.
Input on sound & pics appreciated! Cheers
About the rack/shelves: (Not being a specialist, take my comments w/ a grain of salt...)
I think the positive effects that Bob refers to are, that you may have the whole rack (shelves included) being vulnerable to less frequencies on the vertical plane. The rigidity of the rack would restrict vibration on the horizontal plane -- albeit its height looks like it would make it more vulnerable to resonances there.
OTOH, the wood mass may be "friendly" to low-frequency --higher amplitude level resonance. This is important, I think, and can only be addressed at each shelf-to-component level, by either DAMPING (i.e. find s/thing that turns some of the vibrational energy into s/thing else say, heat) or TUNING each component (using cones, pucks, etc that alter the resonant frequency of the component-rack system).
Strange though it may sound, I get better (subjective) results when resonant frequencies are higher than lower -- probably due to the lower amplitude of higher frequencies even though they play well within the critical audible spectrum (lower mid-range...). Whatever.
As Bob implies (I think) start out with components directly on the beautiful wooden rack, maybe putting sources/pre closer to the bottom (less prone to vertical movement) just for starters. Then change around. Take notes. Then play around with devices between component & shelf. If you can, try out a damping device such as Neuance shelf: sit the component on a Neuance, couple the Neuance to your shelf with s/thing rigid (cones?). Jadem6 has been successful(and so have I, copying his epxeriment) using bubble wrap b/ween Neuance and other shelf.
Input on sound & pics appreciated! Cheers