Fidelity

I'd hope that all of us, at one time or other, has had the experience of
pure enjoyment of music, whether from a transistor radio, or a Hi-Fi
which sold for more than a year at Yale. Accurate reproduction of
anything does not necessarily lead to one thing or another. It's really up
to you how much you allow yourself to enjoy anything in particular. If a
person is all hung up on qualifying their enjoyment of some experience
in terms of definitions, mind games, pigeon-holing, and comparisons to
some kind of 'norm' or standards set forth by "experts", or
the greeness of their neighbor's grass...well, it would surprise me if
someone like that could actually enjoy anything at all! They'd likely be
too stuck in their head to experience much outside themselves. And I'm
not just the hair-club president, I'm also a member!!!

Marco

I think we can all agree on the semantics: "fidelity" means
"true(r) to the original" (Viggen) or "accurate reproduction (of the original)" (Marco-Jax2). The original being what's on the RECORDED medium -- NOT the actual event that was recorded.

AS this is all about the listening enjoyment, at home, of an actual past event (musical or other) the ASSUMPTION is: the more accurate REPRODUCTION at home is, the better.
Many have already noted that that, ENJOYMENT, rather than ACCURACY or true to the original, is a better goal. Of course we'd like both -- but most systems fall short of this. What many are saying is that, (I'm putting it in other words) 'as long as I can "control/choose & match" the system's distortion (i.e. departure from the original) in a way that the OVERALL result is enjoyable (i.e. makes my ears happy) -- that's what I want/choose'. I "trust my ears", despite the possible compromises.
Quite rightly so: this implies that our ears choose homogeneity/acceptability of the overall sonic result OVER certain details, etc, that may be contained in the recorded medium but are slightly masked OR where the system introduces sounds that are NOT contained in the "original" OR where the systems slightly alters detail. As we have lots of experience with live performances, our ears are led to choose the sound that is more reminiscent of the "real thing ", than otherwise.

As to reproducing the actual event, esp. the dynamics -- FORGET it. To do this we'd need: signal, energy & an electrical-to-acoustic power converter commonly known as "speaker".
Assume we want the speaker to be capable of matching our ears' dynamic range, i.e. what we can hear: 120db SPL, with minimal distortion (I'm dreaming, but, hey, it's an example).

Think about this. Take a speaker rated 90db SPL/1W/8ohm (2,84V) offering a pure resistive load (how nice!). The extra 30db, (i.e. 90+30=120) in SPL terms, mean a bit over 30 times LOUDER. As we're talking about SPL (force/are), the relation between intensity (watts/area) & force/area (pascal) is I=Pressure^2/p (air impedance constant) which means when spl doubles, watts quadruple. So, we're talking about a minimum of 900 watts here. Which mean an electrical potential 84V and a current of 10,6 Amps. Not bad. Not to mention the "hi-fi" PS required for such amplification: surely over 2x the output rating, +4x if it's class A (i.e. ~4kW /+45amp trannies).

Now, let's find a midrange capable of sustaining that -- let alone not distorting. In fact, I doubt any driver will have the time to distort: it'll just go poof.
Even we opt for the highly efficient, ~100db/1w, cheapo Lowther / AER / Supravox etc drivers of this world ($1k each); +20db SPL means 10 times more, which means a good 100W... I don't know of any such driver capable of sustaining this power level (despite some manufacturers' claims).

OH, and I forgot: all these SPL's are taken at 1m away from the source! At each doubling of distance, we lose 6db (anechoic) -- but add a few db because of the two near-identical sources + some room help, say we lose 6db spl at 4 metres... so we really need 126db. Whew....

Let's just listen to music:) Cheers

Many have already noted that that, ENJOYMENT,
rather than ACCURACY or true to the original, is a better goal. Of course
we'd like both...

WHY?!?! Why would anyone need anything more than ENJOYMENT?!?!
That's a head-trip...a mind-game. I've been in my head and let me tell
you it ain't a pretty place...I'd rather not be there if I don't have to. If
you've read any of my posts you'll probably understand why. If I have
'enjoyment' I don't give a rodent's rear end about accuracy. Enjoyment is
quite enough for me, thank you very much. As far as either being a
"better" goal; well, hey, I don't know about that, it's entirely
up to the individual to determine for themselves which they prefer and
in what balance. Needless to say, I'll take 'enjoyment' as my priority
every single time. That may in fact lead to someone else's resemblence
to accuracy, but it sure wasn't my motivating factor.

Let's just listen to music:)

Now there's a statement I can get behind. Don't mind if I do!

Marco

Needless to say, I'll take 'enjoyment' as my priority
every single time. That may in fact lead to someone else's resemblence
to accuracy, but it sure wasn't my motivating factor.

I felt the need to explain that further as I didn't turn any music on and am still stuck in my head.

I compared three preamps in one of my systems the other day. When I listened for very specific cues as to why each differed from the other, in order to 'analyze' each one more 'critically' I really had no sense of enjoyment of the music at all, nor any sense of how much I was enjoying the preamp under scrutiny. When I let go of all the analytical games was when my toe started tapping and my body started moving...I was becoming more physically and emotionally involved in the music, and loving every second of it. Going from one preamp to another in my system I found that one had me moving, while another, although remarkably airy and dimensional in this case, did not seem to have what it took to engage me nearly as much. I could easily become distracted and disengaged with the music. Perhaps that is what critics call a component that is too "analytical". Regardless, my preference was with the component that got me out of my head and bobbing to the music. I really don't think that "accuracy" necessarily was the primary virtue that leads to that. I'm not sure what is though, and I don't really feel the need to quantify it. If it's there, there's really no mistaking it. Yes, it can certainly be there in one's experience of a "low-fidelity" system too. I think one's expectations may be the enemy to contend with there.

Marco

Honestly. I do enjoy my system, and enjoyment of music is the number one priority. I guess I was just confused about the ways accuracy and fidelity bump into eachother on this and other web sites and in magazine reviews. I was interested in these words as used in audio, and then maybe some insights as how they might differ from eachother is this context. They do not seem to be the same animals. words are politcal too, so it does not suprise me I would be interested in their uses here.