Sorry Craig (Garfish) - slip of the tongue. I have indeed come across and experimented with the single spike idea as Theta have used it in their transports, and I have owned a few of those. I have found that the best footer for an application is very dependent on the shelf used. With something like MDF you can be best to use damped cones like BDR, but spike and soft footers together is also good as you say. But I still don't rate MDF highly. Since my last post I have persevered with the suspending of Corian shelves from a steel rack using thick nylon wire, and tried various footers. (The biggest pain is designing a means of levelling the shelves without introducing vibrations.) The best (after trying several different types) is to use a very hard rubber footer, and Vibrapods work quite well too. Cones are too hard with the Corian, and spikes are definitely out of the question. The use of either (including up-pointed spikes under the shelf) result in a severe resonance adding grain and edge to the midband. The results I am getting are now very very good indeed and much better than MDF or the particle board I had been using which was only a bit better than MDF. While I am very happy with the results, I will not be able to rest until I have tried some of the other ideas posted here, especially the Neuance shelf and the maple butchers block. Ernie (Subaruguru), I am sure there must be microdisplacement, but in any vibrating system there will be microdisplacement. In a suspended system the displacement is larger, but slower moving - whether this is better or worse is for the ears to decide. I hear suspension as sounding very different from the bladder products. To put it in a nut-shell. A shelf sitting on a rack tends to add resonant peaks to the music, damage harmonic structure and reduce depth. Using different compounds just moves the resonance around and some are better than others, but none that I have heard reduce the resonances down even close to inaudibility. Placing a bladder product between shelf and component tends to fix each of these problems pretty well, but adds a new one in that it tends to cause a suck-out somewhere, usually in the mid-bass or upper-bass, destroying rhythm. Suspending a shelf can have various results depending on the wire used, but with thick nylon wire resonances are much reduced compared with sitting the shelf on the rack, with none of the suck-out problems of bladder products. Resonance is not totally eliminated and you can still hear the differences between shelves and footers. In addition to this I have discovered that Corian shelves, used with soft footers, can give terrific results, particularly if you want more power (and I mean a lot more) and articulation in the bass.
Shelf Material
I have tried so many different shelf materials, and some are better than others, but I feel like I am just spraying bullets that always miss the bulls-eye. So far, I cannot live with the brightness of glass, the ringing of marble or granite, the sluggishness of acrylic, the muddiness of mdf etc. Light and rigid seems better than heavy and dense - in that I can live with the downsides more easily. I use heavily constructed welded steel racks - spiked to the floor and upward spikes supporting the shelves - and I reckon this is right. I like the way bladder products get rid of the resonances that plague shelves, but find that the way they slow down the pace of the music is hard to accept. Does anyone have some answers on this?
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- 88 posts total
- 88 posts total