JD you sound like a 10 hz tone to me...you have me stand in awe, not only do you keep late night studies with the ladies, you also do the most complex experiments in other fields until, what was it, you had two of the 24 year old ladies squished? Terrible. You must be Dr. Strangelove in real life, please admit it. There is so much of that hz tone in my ears, that I am AWEfully confused. What will you do now...get new ladies and fiddle with their shortchanged abdullas? WOW... and Jostler, thanks for the enlightenment. I would say psychoachoustics is even older, it goes back to the Greeks and early China and India, but you would say, that was prescientific, which of course it was in a more narrow sense. You were right in assuming, that I meant the emotional impact of music on us, where to my knowledge science so far has no real answers yet.A question, seriously, don't want to bug you, I had put it in another thread and never got an answer: Do you have any idea for an explanation about those odd experimental data, which showed, that if you play music to people whose hearing is limitid in the upper ranges, I forgot where the cutoff point was exactly,but it must have been around 10 khz or above, and in playing it, you cut off the frequencies, which they were not able to HEAR, they all and sunder at once noticed this fact all the same practically always and could thus differentiate between music played normally and cut off in the highs, even though "psychoaccoustically" they should not have been able to hear any difference at all. Another thought, I wonder if you could not develop a mathematical model, which would "prove", that the more complex and "rich" a musical offering, the greater the chances to hear "subtle differences". Would be an interesting hypothesis to go after. JD bring out your 24 year old rats, or what was it again, the 24 girls from P.E.T.A? I am so confused, there is that tone again...........
Blind Listening Tests?
I would like help locating any articles or studies on the subject of blind listening tests as it relates to high end audio equipment. I realize this is akin to blasphemy for many who are into this hobby, however, the more times I read of people claiming to hear audible differences between certain components and system set-ups, the more skeptical I become.(e.g. equipment racks ,interconnects,etc.)The fact that virtually every major audio publication is so adamently against the idea only adds to my skepticism.
Before I invoke the wrath of this site's faithful, let me clarify that I am not doubting the sincerity of those who claim to hear sonic differences between certain components. However, believing that an audible difference exists when one knows that he is listening to a piece of equipment that is generally well regarded or made by a well respected manufacturer is entirely different from being able to detect the difference in a blind listening scenario. Given the undisputed connection between the mind and our perceptions, why is there so much sentiment against such tests? Couldn't the results of such testing be simply another piece of information that we could factor in to our purchasing decisions. It seems to me that those who are so sure of ther critical listening ability (i.e. all stereophile reviewers) should not hesitate to prove their skills.
I look forward to any help in directing me to more information on the subject.Thanks, Don.
Before I invoke the wrath of this site's faithful, let me clarify that I am not doubting the sincerity of those who claim to hear sonic differences between certain components. However, believing that an audible difference exists when one knows that he is listening to a piece of equipment that is generally well regarded or made by a well respected manufacturer is entirely different from being able to detect the difference in a blind listening scenario. Given the undisputed connection between the mind and our perceptions, why is there so much sentiment against such tests? Couldn't the results of such testing be simply another piece of information that we could factor in to our purchasing decisions. It seems to me that those who are so sure of ther critical listening ability (i.e. all stereophile reviewers) should not hesitate to prove their skills.
I look forward to any help in directing me to more information on the subject.Thanks, Don.
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- 69 posts total
- 69 posts total

