At least one point that Plasmatronic makes is entirely correct -- there is indeed a herd mentality in audio that is at the very least, interesting to watch. Over many years, I've seen styles and tastes in audio sway back and forth, each time concluding that prior ideas were not true to the music, but at long last the current ones finally work. I remember back in the 70’s, MOS-FET devices were supposed to make all tube and other SS equipment obsolete. The reviews on the first units to use them were sensational and full of over the top hyperbole, and everyone ran out to buy, and manufacturers to produce, MOS-FET audio equipment. After a few years, the reviews started to change, and the general feeling was that the sound wasn't real enough, and in general, the prior technology was much better. So back went the pendulum. Did it actually take several years to finally hear what was inferior? Not likely, but the rush to both own and praise that equipment which is regarded so highly by the "professionals" apparently took precedent over basic, enjoyable listening.
We’ve certainly seen this pattern repeat itself over and over, and its not likely that it’ll ever end. Its very hard to make the conscious decision to purchase an expensive piece of audio equipment that isn't highly praised by the audiophile public without thinking that somehow your ears, or your evaluation methods are flawed. I wrestled with this myself when I upgraded my system last year, preferring the less touted equipment over the most highly praised brands. Interestingly enough, the applause for the ‘best’ equipment two years ago is somewhat quieter now, and the discussions I read about those pieces these days include far more balanced opinions.
From what I can see, the population of true audiophiles – those that know what they want and spend the effort and money to get it -- is quite a bit smaller than the general buying public. As a consequence, good marketing, good press, and a good reputation are essential to the high end audio business. Looking at this from a non audiophile perspective, its no wonder that the conclusions drawn are that audiophiles don’t actually hear more than the rest of the public, they just spend more and believe they can tell the difference. Now, being an audiophile I know this isn’t true, but then again…
Cheers,
Ken
We’ve certainly seen this pattern repeat itself over and over, and its not likely that it’ll ever end. Its very hard to make the conscious decision to purchase an expensive piece of audio equipment that isn't highly praised by the audiophile public without thinking that somehow your ears, or your evaluation methods are flawed. I wrestled with this myself when I upgraded my system last year, preferring the less touted equipment over the most highly praised brands. Interestingly enough, the applause for the ‘best’ equipment two years ago is somewhat quieter now, and the discussions I read about those pieces these days include far more balanced opinions.
From what I can see, the population of true audiophiles – those that know what they want and spend the effort and money to get it -- is quite a bit smaller than the general buying public. As a consequence, good marketing, good press, and a good reputation are essential to the high end audio business. Looking at this from a non audiophile perspective, its no wonder that the conclusions drawn are that audiophiles don’t actually hear more than the rest of the public, they just spend more and believe they can tell the difference. Now, being an audiophile I know this isn’t true, but then again…
Cheers,
Ken