Ignatz, I'm interested in what you have to say, but am not quite sure what you mean by software vs. hardware. I didn't quite get the connection with what you had just been saying. Please explain.
One comment, when we are listening/viewing without a goal in mind, our pereceptual sets are still quite active, perhaps even more so, although not in the same way. Anyway, it's all based on very limited empirical knowledge with much variation between individuals...
BTW, right on about the Rorschach. I administer this all the time. It's one of a class of assessment instruments called projectives, because, as you say, there's nothing really on the card but a bunch of ink, and what people report seeing is thought to represent their psychological themes, which they "project" onto the image. However, these themes may be verbal, emotional, kinesthetic, whatever. Even looking at the pictures without a goal, images are projected onto the blot, just as our cognitive, emotional, and other biases color the physical stimulus when we listen to music, regardless of what frame of mind we are in. When a person reports just seeing blots of ink, the traditional interpretation is that they are not being forthcoming and/or are 'defending' against their psychological processes, either consciously or unconsciously. I've tried it myseslf - you really have to try hard to stop from seeing things in the blots. It's not that they're really there, it's just that we're hard-wired pattern-detectors. All right, I'm blathering, sorry. Anyway, I can't emphasize enough (so I won't really try) that there's not enough solid data to back up music-related brain-behavior phenomena hypotheses in any real firm way. However, I'll run this whole thing by my neuropsych supervisor and the hospital neurologist and see what they have to say!
One comment, when we are listening/viewing without a goal in mind, our pereceptual sets are still quite active, perhaps even more so, although not in the same way. Anyway, it's all based on very limited empirical knowledge with much variation between individuals...
BTW, right on about the Rorschach. I administer this all the time. It's one of a class of assessment instruments called projectives, because, as you say, there's nothing really on the card but a bunch of ink, and what people report seeing is thought to represent their psychological themes, which they "project" onto the image. However, these themes may be verbal, emotional, kinesthetic, whatever. Even looking at the pictures without a goal, images are projected onto the blot, just as our cognitive, emotional, and other biases color the physical stimulus when we listen to music, regardless of what frame of mind we are in. When a person reports just seeing blots of ink, the traditional interpretation is that they are not being forthcoming and/or are 'defending' against their psychological processes, either consciously or unconsciously. I've tried it myseslf - you really have to try hard to stop from seeing things in the blots. It's not that they're really there, it's just that we're hard-wired pattern-detectors. All right, I'm blathering, sorry. Anyway, I can't emphasize enough (so I won't really try) that there's not enough solid data to back up music-related brain-behavior phenomena hypotheses in any real firm way. However, I'll run this whole thing by my neuropsych supervisor and the hospital neurologist and see what they have to say!

