Should reviewers post their hearing test results?

If your diet is redbook CD and your hearing rolls off at 10K (ugh!) you are only shy but one octave of sound, just as you are with being unable to hear from 20-40 cycles. We can argue about the importance in judgeing audio gear but it would only seem to be of very marginal importance from a musical standpoint. If your diet is LP, open reel tape or one of the new higher bandwith digital formats the implication are surely different.

I too suspect that the 20-36Hz material comprising your test wasn't reproduced correctly. A low freq loss is highly unlikely. However, if you're a normal middle-aged male you probably have a rapid falloff above 12-14kHz. Pretty normal.
Certainly publishing a standardized curve for a tester/criris isn't a bad idea, principally to rule out gross anmolies. My interest would be more to notice the actual subtle nonlinearities (some caused by the pinna, so no headphone testing allowed!) each of us has. Personal deviations are usually much greater than those of preamps and amps, for example, and perhaps many transducers (cartridges and speakers). Somehoe our earbrains all accomodate to our personal onterpretations of perfect linearity AS WE EXPERIENCE IT, but it would be interesting to try to replicate a trusted writer's hearing with a speaker who's nonlinearity matches it just to know what it's like to hear with someone else's ears, eh?
Perhaps this acoustic research has already been done, but I'm not an AES member....

I think the reviewers are publishing their hearing tests. It is evident whether they can hear or not, by the review that they write. If they give a good review of a product that we know is not so good, then we know what their hearing is like.

No. More important that they publish their qualifications, education, training and experience.

Also important that they describe their listening rooms (which few do). A lot of these guys have no idea what they're talking about. What's more appalling is that many of them have no idea or do not wish to discuss the effect of their listening rooms on the sounds they do hear.

Hearing test results are misleading anyway because the high frequency loss that many (eventually all) of us have really isn't relevant, so many people might erroneously discount the opinion of a reviewer who tells them he can't hear above 13khz.

Paul, I agree that the HF rolloff could become the red herring...like tweeter extension, maybe.
But seeing the undulations between 100 and 10k, for example, could give readers an idea of whether a reviewer has a midrange dip, a low-treble "hardness" sensitivity, etc. I also wonder if soundstage height sensitivity is correlated with pinna size, too?!