Does Your System Sound Like the Real Thing?


I don't mean close, or it's pretty good at suggesting, or if you close your eyes and really, really concentrate. I'm asking whether your system is indistinguishable from live performances.

If the answer is yes, then congratulations! If the answer is no, do you even think it's possible? And if you do think it's possible, how far are you willing to go?
onhwy61
i feel this would be tough to accomplish. for one thing, you would have to go see the concert when it was recorded so you personnally would have a reference on how it sounded live. then you would have to trust the recording engineers that they did a perfect job at placing the mikes and recording every bit of info. if the engineers didn't do a good job, then it wouldn't matter how good your equipment or power is, it will not sound the same. also, i'm not sure that i want my system to always sound like the real thing. I love concerts, and go to quite a few of them each year, but i also like the calmness of listening to a smooth jazz cd or album just to mellow out after a long day at work.
ATC actually put a pair of their active 100 speakers on stage in place of the actual orchestra. Rumor had it that it was very close to the real thing. ATC's can play 115dB continuous and active speakers have good uncompressed dynamic range.
I agree with Warrenh that synthesized music is close but live 3 instrument trio, for example, on a stereo is not even close to live unamplified music. There is just too much haze added in each step of the microphone, recording, mixdown etc.
But direct to disc, especially at 24 bit 192 res. is supposed to be a step above what we normally get on redbook or SACD.
Interesting range of responses. I'm a little surprised the a few think their systems sound better than real performers playing.
It is an interesting set of responses -- great reading. In a nutshell, my answer is "sometimes". The soundstage simply can't be wide enough and the overall dynamics just can't be replicated. However, it really does sound like Sara McLaughlin is there in front of me. It really does sound like a symphonic kettle drum. It really does sound like an acoustic guitar ... well, you get the idea. Is the entire symphony or band there stretched out in front of me? No. Do individual voices or instruments sound like they are there? Often, yes. Often enough, I guess ;-)
The greatest disappointment I experience with my system is following a concert, especially a classical symphonic. The action of the instruments, the delicacy of the strings and brute force of the timpanis is so distant from my system that I often wait a day or two for any serious listening. Occassionally, I have pulled out a recording of a concert I just attended, only to discover nearly everything of my system's presentation was wrong.

The closest I've heard to "live" was years ago at Peter Mcgrath's audio shop in Miami. He had a fabulous setup geared around Wilson Watt/Puppies with a Wilson sub-woofer. Not until Mr. McGrath offered up a sampling of his master recordings did the magic occur. The small combos and vocals were astonishing. Most life-like I have had the pleasure to hear.

One last thouht. I cannot recall ever feeling bass as of that experienced live.