Which track do you demo to your friends?


You know when a friend arrives at your house, sees your stereo and says "how much did all this cost". You tell him/her the $$$ and they say "are you mad?" Of course, the next step is to justify it by playing something that will make their jaw hit the floor. Which track do you play? Me, I play a track called "Spanish Harlem" by Rebecca Pidgeon off an album called "The Raven". Works every time :-) Their jaw hits the floor, and no-one speaks till the song is over. Then they something along the lines of "Oh, I see what you mean". Follow up/alternate demo tracks for me would include "Fire and Roses" by Mimi Goese and "Ordinary Life" by Christen Barry. What track do you play in this most demanding of moments?
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Rebecca Pidgeon does it for me. Another goods are track 8 and 10 of Strunz and Farah Primal Magic where you get bird chirps and percussion instruments that switch chanels in the back part of the soundstage. Pictures at an exhibition organ played by Jean Guillou good for Bass and also for large church ambience. Long Black veil from Chieftains track #7 Coast of Malabar Regards
Track 3 and 6 of "BLACK LIGHT SYNDROME" with terry bozzio, tony levin, and steve stevens. Incredible transparency and imaging. Terry bozzio has a huge huge drum set and each drum has it's own place in the soundstage and you can distinctly here the different tone of each drum. Also the acustic guitar throws a huge image and is very defined. No vocals though.
Carreras, Domingo and Pavarotti "In concert Mehta" on London (any cut). Rossini "Comic Overtures" on Acum, Israel (any cut). Dudley Moore "Songs Without Words" GRP Records, for piano (any cut). Clapton "Unplugged" track #13 "Old Love". Lou Reed "Perfect Night in London", two cuts "Busload of Faith" and "Coney Island Baby". Ry Cooder "Bop Till You Drop", two cuts "I Think It's Going To Work Out Fine" and "I Can't Win", Hmmm quite a contrast. Also anything by KD Lang and by The Cowboy Junkies.
Whatever is in the CD player usually works, or I ask them what they want to hear. Most of the time I can pull it out of the record collection. I also let them set the volume level. The only thing I insist upon is that they sit in "the chair".
I agree with Doug in that I think it's best to play them music that they like and are familiar with on probably mid-fi equipment at best. That said, I personally like Lucinda Williams "Car Wheels on a Gravel Road"-- tracks #7 and #12 for dynamics, imaging, soundstaging,-- well the whole works. And also it's great popular music. I also use Cowboy Junkies, and Enigma. Also, Enya "Paint the Sky with Stars". Cheers. Craig.