Which track do you demo to your friends?


You know when a friend arrives at your house, sees your stereo and says "how much did all this cost". You tell him/her the $$$ and they say "are you mad?" Of course, the next step is to justify it by playing something that will make their jaw hit the floor. Which track do you play? Me, I play a track called "Spanish Harlem" by Rebecca Pidgeon off an album called "The Raven". Works every time :-) Their jaw hits the floor, and no-one speaks till the song is over. Then they something along the lines of "Oh, I see what you mean". Follow up/alternate demo tracks for me would include "Fire and Roses" by Mimi Goese and "Ordinary Life" by Christen Barry. What track do you play in this most demanding of moments?
128x128outlier
I agree with Doug in that I think it's best to play them music that they like and are familiar with on probably mid-fi equipment at best. That said, I personally like Lucinda Williams "Car Wheels on a Gravel Road"-- tracks #7 and #12 for dynamics, imaging, soundstaging,-- well the whole works. And also it's great popular music. I also use Cowboy Junkies, and Enigma. Also, Enya "Paint the Sky with Stars". Cheers. Craig.
Man, I love these posts the most. Thanks for all the suggestions for new music purchases. I spent about 3 hours listening to my favorites pondering this question. (What a pain.) I have used Ms. Pigeon’s “Spanish Harlem” and “The Word Around Town,” as well as several cuts from the “Chesky 10th Anniversary Special Edition”, but I have to settle down to seconding the Lyle Lovett “North Dakota” cut from Joshua Judges Ruth. I also ask them to look around my collection for something they are very familiar with and love to hear. Take care. Charlie
Donald Fagen Nightfly Track 1, Jennifer Warnes Hunter Track 8, Dire Straits Brothers in Arms Track 2
Garfish, I mirror your opionions exactly. I usually let people choose from what I have. But, if they insist on me picking, I either take the title track of Lucinda Williams "Car Wheels On a Gravel Road", or one of many cuts from Southern Culture On the Skids "Dirt Track Date". Usually, people want to be blown away, as they equate power, bass, and loudness to sound quality. Most people don't spend enough time there listening for esoteric things such as microdynamics, low noise floor, soundtaging, detail, etc.(all the stuff we revel in). If you don't play something that rocks, you will often receive a comment such as, "Ah man, c'mon. All that money for that?!? My JBL's blow the doors off your $10K speakers! You really should check out my JBLs, I think they're the best speakers out there."
Trelja, well said. What track(s) might you use if one of "us" came over to audition your system?