Klipsch love them or hate them.

Actually, Taters, there a many speakers sold today that are far worse than the Klipsch line. I'm not attacking your point of view, but rather want to offer a somewhat different perspective.

I had a part-time job in the early 1990's and I sold Klipsch speakers as one of several product lines. Klipsch speakers may not appeal to your personally, but there are some things that they do very well. Without question, their inexpensive models have some major weaknesses, but their better models (such as the Fortes, Belles, LaScala, and K-Horns) are good to very good examples of horn-based speakers. Again, you may not like the sound of horn speakers, but they are capable of very dynamic presentation. The biggest drawback I found with the better Klipsch models is their lack of good low bass, which usually requires reinforcement with a good subwoofer.

It's useful to remember that Paul Klipsch first designed the K-Horn prior to World War II, and it was a hell of a speaker in the early days of the "hi-fi" industry. I think that the Klipsch line, along with Altec, is the oldest speaker manufacturer still in continuous business.

LOVE THEM, I HAVE BEEN USEING A PAIR OF CHORUS II FOR OVER 10 YEARS. THEY DO HAVE A DISTINCTIVE SOUND THAT I FIND PLEASING. I HAVE AUDITIONED SEVERAL SPEAKERS IN THE YEARS SINCE PURCHASING THESE AND HAVE NOT FOUND ANYTHING IN MY PRICE RANGE THAT HAS PERSUADED ME TO REPLACE THEM.
CHRIS

I would put my 2002 Klipschorns (newly redesigned this year) against ANY other design anywhere near the price. I am completely amazed at how much more transparent these speakers are than earlier iterations. They produce some of the cleanest and most airy transients I have ever experienced. I have not heard some of the other Klipsch offerings, but I really don't miss my Magnepans or Martin Logans at all!

Unfortunately, many Audiophiles look down their noses at Klipsch.
I personally dont care for the La Scalas, and the Belle Klipsch.
However, the Klipsch Epic series are truly audiophile speakers, with smoothness and 3 dimensional imaging, and the ability to kick ass as well.
ONLY the first two versions of the Klipsch Epic;s are worth anything, the third version was ruined because it didnt sound like a Klipsch !
Go figure.
But the first two versions of the Klipsch Epic Cf3 or CF 4 truly do it all.
I have owned everything from Quads B&w, Spica, Acoustat, Maggies, KEF, you name it.
A properly set up set of Epics can be mindblowing, for real.
Perhaps its the NEO Magnet drivers in the Epics, the D'Appolito alignment, the oxygen free copper wiring, or a combo of the above, but for those of us " in the know " it dont get a whole lot better than a set of Epics properly set up.
They need to be bi amped w/ a Multi channel amp that has level controls, so you can set the EXACT level of the drivers to YOUR room.
You use 4 amp channels of a multi channel amp, one for the horns, and one for the mid woofers of the left and right speakers.
Then Hang on tight!
They will image like an 801, sound warm and rich like a Vandersteen or the old KEF's, have excellent detali w/o brightness and kick unadulterated ass when ts time to Rock.
They have an absolutely HUGE 3 dimensional soundfield, and will put sounds WAY outside the speaker on a daily basis.
Its a pity the powers that be at Klipsch discontinued them, but Shit happens.
Just be absolutelu SURE they are NOT series 3 versions, whatever you do!
The first versions are coveted by those in the know, then the Klipsch dealers bitched that they didnt sound like the other Klipsch speakers, so on version 2 they raised the box tuning and played with the horn level to make them more Klipsch sounding.
Version two are ok, as you can buy the better 5 inch ports from klipsch, and then bi amp them to return version twos to their former glory.
BUT, version 3 had lighter woofers for more efficiency, but there went the magic midrange of the older, heavier cones.
They get the midrange magic by using a stiff, heavy cone for good damping, then they put a large voice coil and a neodym magnet on it for efficiency.

I own a pair of La Scala's and two pairs of Forte II's. I love both designs. IMHO the newer Klipsch products do not approach the Heritage line of products of which Paul W. Klipsch was the primary designer. I think that their speaker designs started going downhill as Paul had less and less to do with the company he founded as well as with the products themselves. I think it was beginning in the late 80's or early 90's that Klipsch (the company) started to make products to compete financially with the mainstream of mass-produced "Hi-fi" speaker manufacturers the likes of Bose. Horn speakers definitely have a distinctive sound to them. Whether you like them or not depends upon your own personal preferences as well as the kind of music you like to listen to. I think they excel in lifelike dynamic presentation of vocals and acoustic instrumentals, especially strings. I'd strongly agree with sdcampbell as far as which models were better. The Forte's and Chorus are also great speakers for what you pay for them, and match very well with tubes and are very SET-friendly, as are the larger models mentioned previously. I wouldn't touch any of the newer speakers, with the possible exception of the Jubilee, which is also Paul's design. I don't know if they are available yet though. There is an excellent biography of Paul W. Klipsch titled, "Paul W. Klipsch, The Life... The Legend" by Maureen Barrett and Mike Klementovich, which is a fascinating look at PWK's life and work. He was certainly an extraordinary and eccentric man, and that book is well worth reading if you have any interest in some of the history of our passionate pursuits. Sadly Paul W. Klipsch passed away in May of this year. He was 98 years young!