D-SONIC SOA Class-D Core Amps. The best Class-D ?

Well, i suppose everyone will say their product is better than the
competition. Whether in fact better or just different, a nice product on
paper.

Its more than that Mapman..as Dennis Deacon explained it..
there are inherent proplems wirh pulse modulation type Class D amps regarding linearity and feed back in the upper bands that compromise music quality which is why alternative modulating designs have popped up in recent years resulting in Class D getting closer than ever to pure
Class A performance. Give it another two years. After all,
Solid state in terms of Pre-Amps has finally surpassed tube performance such as the Robert Koda Takumi K-10 Preamp
which will bury any tube Preamp on planet earth. Within the next three years, Class D solid state amps will surpass
tube amps as well.

Subjectivity is a wonderful thing. There are traits within both solid state and tube preamps that may never quite match such as harmonic structure. The preference for one or the other is a mater of personal taste.

Consider that, with all the shortcomings of tubes, a great deal of time is spent on designing components to sound like tubes. The day may come but until then if you like the sound of tubes there really is no substitute.

Hmmm...what makes Tube Preamps so special? The bottom line..Tube Preamps exalt at creating an exotic, ultra smooth, seductive, full, three dimensional "FLOATING MIDRANGE", that solid state has yet to achieve until now.
Audio Design Engineer Robert Koch, who specializes in exotic tube design amplification, invented a first time circuit topology called the ITC circuit, known as Inverted
Transconductance Coupling, which eliminates for the first time in a solid state design distortion way below measurable levels, which is one of the several reasons why
Robert's Takumi K-10 solid state Preamp will equal in full
the midrange and treble qualities exclusive to the worlds
finest tube Preamps on the market. Getting off subject. Want to stay focused on Class D topology.

It's the way tubes distort not their lack of distortion. Regardless of how unmeasurable a solid state devise is, generally its characteristic is still odd order.

It's the same with switching or processing amps. Were class D is about to become superior is in the realm of digital playback. A digital source and something like the Devialet were there is much less conversion taking place and the absence of cabling lowering the chances of jitter.

Most linear solid state amplification has a tendency to get congested and more fatiguing as demand increases which is why they build massively powerful amps. The very first thing I noticed with my first switching amp was it seemed to maintain stability right up to its threshold which was way more power than I would ever use.

Since I use tube amplification in my predominately analog system the last thing I want is the switching amps powering my studio monitors to sound like tubes.