More on the VR4seIII

Its hard when you feel like your so close, butyet not just there. your right there is so much to like about this speaker. The main reason that I emphasized Bi-amping is because Albert states it in his owners manual, that if your a metal head, and I can be at times, then you will need to bi-amp these speakers. To get theyre maxium potinual. Please dont grade on spelling. I have been bi-wireing from the amp, and also jumping them from the top down, I just feel like the sound thins out to much that way, and Im afraid I may clip the amp. But after listening to the person who bi-amped tube on top and ss on bottom then got way to much bass,now Im in another quandry, because that is exactly what I was thinking of doing. The ARC VT100 sounds like a choice as well as the JC1 halo . Some of the others that were mentioned as well. What do you think about the RM200 driveing the whole speaker bi-wired? That liquid image float sound is important to me, I still want dynamic foot stomping music though. Techs and specs mean something, but I want engageing, envolving, and musical above all. Yes I know ,its like ice cream. Everybody likes a differant flavor. Im hopeing some of you can help me find mine. I truely appreciate all the help so far. The VR4SEIII are here to stay for me, Im just getting a little nervous again trying to find that sonic nervana, before I lay down more dard to earn green in the wrong direction.

Map1,

No doubt, the Jalo is a powerful, good sounding beast. When I went to CES this year this was one of the amps on my 'short' list to listen to. I was impressed, but again, I just didn't hear the shear musicality that I hear with the VT100.

Ok, so the VT100 doesn't exhibit the most ultimate highs, or the most accute transparency, or the tightest bass, or the fastest transients, or the utmost in accuracy, etc, etc. BUT, it is one killer of an amp. As I said earlier, it has balls, it boogies.

Full, rich, big bodied, textured, color, with air, air, and even more air presented in an absolute huge soundstage!! The VT100 just connected to me in a totally musically involving way. I found myself consumed in the experience (the goosebump kind), and for once not even giving a damn about all that audiophile stuff anymore. The VT100 gave me hot, wet kisses all night, and damnit, that's what I want!! Go find some reviews of the VT100 that the pros write, as they can probably explain it a whole hell of a lot better than I just did (or then again, maybe not).

After all, whatever it is that allows you to connect to the music is what this is all about. Don't get lost in the details, unless the details get you closer to the music, otherwise you've lost what it's all about.

Bottom line, I don't believe you have to biamp the VR4's to get them to do anything more than one great amp can. I know, I've heard one!

Buy what Von Schweikert uses at CES in their premier demonstration room. Buy a VAC Phi and enjoy the music.

I reviewed my VR4 GenIII's a few yrs. ago & recently did an update here that you may find interesting.

With an amp big enough to deliver higher SPL's w/o distortion you don't need to bi-amp, although that gives you more headroom. I can easily play my system at 100+ dB at the listening position.

In addition to room & spkr positioning, I've found cables (power, spkr, IC) & isolation to have a big impact on refining the quality of the presentation.

If you want dynamics, lots of detail and serious DEEP bass energy, try them with a Spectron Musician II... It was a fantastic match for me, but I ended up being seduced by the harmonic rightness and 3-d imaging that my VAC Phi amp provided me on them in the long run.