All designers are trying to make intelligent choices in trying to work around the problems associated with crossover design. It's just that the priorities and trade-offs are different. Some designs use but one driver, such as the Lowthers, or Quads, so no crossover is used at all. Some run the woofer full-range, without any crossover and only use a simple crossover on the tweeter, such as Epos. At the other end of the spectrum, the much-misunderstood Bessell alignment is maximally phase coherent and has very steep slopes, the older conrad-johnson Synthesis and Spica speakers are good examples. The infinite-slope crossover has extremely steep slopes as well, currently it is used by Joseph Audio. There's a lot of great ways to skin this cat! The reason that first order slopes are generally best integrated in the far-field is that at a wide range of frequencies around the crossover frequency, both drivers are contributing a large amount of energy. This leads to complex interference patterns between the two drivers that are very dependent on the position of the drive units, the size of the drive units, the listener and the placement in the room. Generally, this interference smooths out in the far-field, the sound arriving at the listening position being the sum of the direct and reflected sound and averages the dispersion patterns of the drivers as well. The crossover is but one element in what should be an integrated design. The drive units themselves, the cabinet and the room being at least equally important.
First Order Crossovers: Pros and Cons
I wonder if some folks might share their expertise on the question of crossover design. I'm coming around to the view that this is perhaps the most significant element of speaker design yet I really know very little about it and don't really understand the basic principles. Several of the speakers I have heard in my quest for full range floorstanders are "first order" designs. I have really enjoyed their sound but do not know if this is attributable primarily to the crossover design or to a combination of other factors as well. In addition, I have heard that, for example, because of the use of this crossover configuration on the Vandersteen 5 one has to sit at least 10 feet away from the speakers in order for the drivers to properly mesh. Is this really true and if so why? Another brand also in contention is the Fried Studio 7 which also uses a first order design. Same issue? Could someone share in laymans terms the basic principles of crossover design and indicate the advantages and disadvantages of each. Also, what designers are making intelligent choices in trying to work around the problems associated with crossover design? Thanks for your input.
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- 109 posts total
- 109 posts total

