Gallo REfF3's-All their cracked up to be?


Having won award from Absolute Sound,6Moons etc just wondering if how they compare with others in $25r00-$5K range.With Maggie 1.6/3.6's,Spendors,Harbeths,B&W Nautilus 803's etc not to mention used Quad 988.989,Infinity Preludes that have been seen as low as $3500,Gershman RX-20's used,offerings from Audio Physic (again good values used,heard Sparks where I liked low volume dynamics and read the Gallo's need to be pushed to come alive) well it's a crowded market.But seems like the twop speakers that have major buzz factor are the Gallo and NHT Xd system (selling for a bit over $6K).Live in sticks anbd would like to hear from folks who have put the Gallo's up against other speakers with empahsis on accurate midrange.Had as pair of Ref 2's but never got system set up around them nor dialed them in correctly.Was so nervous that tweeters might blow which were irreplacable got me nervous and I got rid of them pretty quickly.Have heard from dealers that Gallo can be unpleasant in cutomer support and lack of back tweeters could have been his resent ment that they did not sell better.But even though that's speculation is does say that they could be beter in support area.Maybe new models and sales might correct this.,They seemed to have great attributes but also weakneeses.Couldn't shake the feeling they were "gimmicky" in some respects but againn perhaps they were not dialed in proprly.Would lkike to run with 40 watt glass but could go 200+ solid state.Any auditions or owners who could give the good ,the bad and the ugly?
Thanks
Chazzbo
chazzbo
Chazz,

I got my Gallos to replace another speaker known for mids--the Dunlavey SC3. I moved and the SC3's were too big... I think it was the physical space between the mids of the MTM, but in my new listening room the sound didn't seem to integrate (smaller room).

I listen to a lot of acoustic jazz and without a system doesn't come alive for me without an accurate midrange. Don't know why people talk about needing to push the Gallos, but my amp is fast. I have played around with a low powered SET amplifier (7 watt) and it was OK, but I was happy when my big amp came back from being modified. I tend to listen at pretty reasonable volumes (often, the kids are asleep by the time I can fire up the rig) and again, have no problems. As I think about it, my speaker cables are also known for mid & speed (Nordost SPM)... I think I have a decent rig (better than most that include the gallos) and have seen them "rise to the challenge."

Of course, you should (& did) solicit input from people who have made other decisions than I did (Ref 3's on Isorock GR stands, SA... some playing around with cabling till I was happy).

Happy listening,
Let your ears decide, but for me the Gallo Ref 3.1's are truly a breakthrough product. I've been through so many different speakers over the years and for the longest time was convinced the only speaker for me was planar. Apogee, Maggies, Martin Logan, Eminent Technology, name it. From the first time I heard the Ref 3's at CES I was taken in by their sound, and their incredible value. I held off and kept trying different speakers and gear, now that I've owned the Gallos for over a year in my main rig I bought another pair for my smallish home office set-up. I'll be very surprised if I "upgrade" to something else any time soon.
Do these speakers have limited vertical HF dispersion -- do you lose the highs noticably when you stand up unless you are in the farfield?
Zaikesman, I can detect no difference in the sound whether I sit or stand. The speakers are about 8' from my listening position. I've heard of this complaint, but never experienced any problem. By comparison, a friend has a pair of Sonus Faber Grand Piano Home speakers and there are distinct changes in the sound depending on how high your ears are, relative to the speakers. Dave
Zaikes,

I'm closer in than Dopogue (probably more like 6' in my room) but what you cite is one of the reasons I put 'em up on stands--isorock gr's were designed for the ref 3's. Now, I find that the sweetspot is where I want it without much tilt on the speaker and they are much more stable when you really crank 'em up. (I have also come to prefer the looks of the speaker on the stand to the speaker on the floor).

I guess another alternative is to move the speakers back, but I've got them close to Rives' recommendation when the designed the room. I'll play around some more when I find the time.