Warble tones are useful for two reasons, and apply equally well to any type of speaker. At low frequencies you lesson the chance of measuring directly on top of a specific room resonance and overcorrecting in that region. At high frequencies you lesson the chance of measuring directly on top of a specific comb filtering narrow peak or valley and again overcorrecting. While the phenomina are different, the result is the same.
Using pink noise for measurement can also be useful because it excites all room resonances simultaneously, including those harmonics which add together at any specific frequency. If you have an RTA, play a single bass note down around 63 hz on your test disk, and observe the resulting frequency distribution on the RTA. It will be bell shaped from 31.5 to several hundred hz, due to a combination of the instrument harmonics and the room resonances that are excited.
Using pink noise for measurement can also be useful because it excites all room resonances simultaneously, including those harmonics which add together at any specific frequency. If you have an RTA, play a single bass note down around 63 hz on your test disk, and observe the resulting frequency distribution on the RTA. It will be bell shaped from 31.5 to several hundred hz, due to a combination of the instrument harmonics and the room resonances that are excited.

