Spendor S8e, Dynaudio Focus 220, VA Grand Mozart


Help! I have a new dedicated Media Room 13.5 x 14.5 with 10 ft ceilings. I'll be spliting my time between music and movies. I listen to rock, pop, acoustic and jazz (Tears for Fears, Aimee Mann, Sinead O'connor,Queen,X,The The). I have a $5000 budget for a 5.1 set up; I'm looking for some guidance taking my needs into concideration Here's my set-up:
Anthem amv-30
Anthem pv5 5x300 amp
MMF-5 turntable
Marantz DV-9600 universal disc player (SACD,DVD-A,CD, DVD)
theb2826
Bartokfan: If you read sallie's comments, she does not place the Spendor as superior to the Tyler. She;'s says ? If push came to shove, my PERSONAL decision is spendor by a WEE TINY MARGIN". Make ot it you will.

I finally read the review. What she says is something like this: If you divide up the sound spectrum into parts (lower mid range, mid bass, etc) then Spendor gets more of these right. However, in toto, she finds the Tylers more magical or special or whatever the adjective is. Still, she does seem to prefer the Spendors. Make of it whatever you will.

What I found really odd is that in the same issue she has a review Acoustic Zen Adagios, which are priced similarly. She gave them a glowing review as well. However, in neither review she says a single word of comparison. I find that baffling. Frankly, this diminishes my trust in the reviewer.

If someone is interested in Spendors, they should consider Harbeths too. The two companies had the same BBC roots and similar history and philosophy, but Harbeths has remained more faithful to that heritage. The Spendor founders' son eventually quit Spendor and joined Harbeth.
Now you talking my talk. "Strange that sally later on reviews the Zen and gives that speaker A GLOWING REVIEW AS well. However in neither review she gives a single word of comparison. I find that baffling. Frankly, this diminishes my trust in the reviewer". Thank you for seeing and believing what I;ve known for quite a many yrs now. Sally is only following a format in reviewing laid down decades ago by the old "professional audio critics". She follow the format to a T. I's dotted, T's crossed. I wouldn't pick up a copy of any audio mag even if it was free. If it comes to my door, goes immediately to the trash can.
Sally does call the Tyler/Seas "magical" How can a speaker be only in part magical in 3 of the 4 main octave ranges, low bass/midbass/midrange/highs.
I can agree with her the magnesium cone materila is 'not as forgiving" in the lower midbass as some softer cone materials , paper for one, or whatever the vandersteens are made of. No cone materail is perfect. What is truly unique and outstanding, "magical" in the Tyler/seas is the distortion level is so low , its nil. thus the fatigue factor is not an issue, which i cannot say about any other speaker i know of in my 30 yr experiences.
Take it or leave it, just IMHO.
I know of a place i can haer the Spendor, and will this week. btw like the Seas in sound, I also am not biased in reviews.
Heard the Spendor 8 today with a ARC + Cal Lab cdp set up.
Pretty difficult to judge since the cheap Cal Lab cdp and the usual smokey sound the ARC produces. But that aside, i wasn't impressed. The second issue i have is:A two way at $3100?
Of the 3 I heard today: Maggies @ $1700, Spendor @ $3100, Cabasse/Jersey(tweet/dual 7 inch midwwofers, poly cone) @ $1100. i'd walked with the Cabasse.
The hype is real about the Spendor S8e! Excellent speaker. I will name three things off the bat the others speakers mentioned in this thread can't do as well.

1. reveal sound of the hall

2. midrange neutrality

3. can render the texture instruments & voices

Good Luck!*>)
Kw6: Have you had a chance to compare SP1/2e and S8e side by side? I have been curious about how Spendor's classic and new lines would compare at similar price points.