What's the greatest bargain in SET these days?


Hi, Gang,
I response to my recent review of the Reference 3A De Capo BE speaker, someone wrote that if you really want to hear them sing, you should try them with a SET amp, or words to that effect.
That got me thinking. The De Capo's are 92 db efficient, which (correct me if I'm wrong) seems kind of borderline for low-power SET amps.
In any event, right now I'm running mine with a pair of Manley Mahi mono-blocks. They are switchable from triode (20 watts) to "ultra linear" (40 watts). I run them in triode all the time, and in my room, the volume knob almost never goes past 9 o'clock; more would just be too loud.
All that said, what do you guys think of running the De Capo's with a SET amp? And if I did, what's the best bargain in SET's these days?
Thanks!
rebbi
Hi Mikirob,
You're a bass player and I have a comment for you. Last night I attended a jazz performance and the bass player made ample use of his bow on the ballads. This con arco playing just captivates me with its beauty, I could have just melted away, man, did he sound good!
Is con arco playing more difficult than plucking the strings as is more common in nazz music? I love both but that bow moving across those strings is just delicious.
Thanks,
Charles,
No, I never thought it more difficult. I used to play with a number of Berklee College of Music people in Boston (ages ago). As you know as a trumpet player yourself (my first instrument), practice, practice, practice, good teachers, it all becomes second nature. As I stated elsewhere here, I come from a family of musicians. I haven't played formally since the 70s. Took a different career path.
I really enjoy bassist like Renaud Garcia-Fon playing oriental music con arco on 5 string bass. I played an Ampeg fret less all those years ago and did a fair amount of bowing.
Mikirob,
Thanks for your reply. You might like this CD by the Acoustic bass legend himself Paul Chambers, "Bass On Top". He led this quartet that features guitarist Kenny Burrell. There's a lot of plucked and con arco playing at a masterful level. This is a 1958 stereo recording on Blue Note.
Charles,
Charles,
Thanks, I'll pick it up, always liked Kenny Burrell. Chambers was a fixture in the 50s and 60s on double bass, really an influential figure as well as an inspiration to aspiring bass players.