Who Do You Credit For Getting You Into This Hobby?


I didn't know which forum to post this in so I hope it's alright to have done so in "Speakers".

When you look back over this obsessive hobby of ours, who do you give credit for helping you take the plunge? I am extremely grateful to Albert Porter and John Fort, who were salesmen at Arnold and Morgan (Dallas) in the mid-to-late 70s (I believe Albert might actually have been the sales manager), and spent a lot of time with me to assist in finding the best system for my tastes and budget. They also treated me the same as their male customers, and never made me feel like the minority (female) that I was in this particular hobby. Their love of the hobby was infectious, and I quickly became enamored with the quest for getting the sound right. That first small system was comprised of a middle-of-the line Yamaha receiver (1977), Yamaha speakers, and a Dual turntable. I still own the Dual turntable and have kept it for its sentimental value. It is currently not in use although it is still operational almost 30 years later.

So, thank you, Albert Porter and John Fort, for taking the time to help me all those years ago. It's also evident here at Audiogon that Albert continues to help all of us as we pursue this endeavor, a few of us much older than when we originally began the journey.

--Mary
mcrheist
as i understand, audiophiles don't like the sound of instruments, they would rather suffer through bad recordings as proof that their systems are accurate.
Ken Dube. He was an F-16 Flightline Supervisor while I was stationed at Misawa AB in northern Japan from 1990-92. I asked him what the small book that was sticking out for his pocket which became my introduction to S'phile and all things High-End. He also introduced me to Kazuo Kiuchi(Comback/Reimyo) who I thought was some regular JN(Japanese National). Imagine my shock when I ran into him at CES 96! I also blame Ken for all the money I've spent and wasted.
Glenn Gould, Emanuel Ax, Maurizio Pollini, Brendel, Richter, Villa-Lobos, and a host of others...
Blame the music that you feel needed to be placed on a higher level, and made you feel you needed to spend more money on trying to correct something done in some studio somewhere... It may never force every recording to sound perfect, but we will keep trying! Sad thing is the artists don't even see any of the money you keep throwing at their sound quality.
My father - He always showed me the inside workings of electronic things... (At one time I took apart every piece of power tool that he owned - got a hidin'!)

Jess Clark - My cousin - He gave me old pieces of electronic kit to play around with when I was small...

Andrè Du Toit - Introduced me to 'high-end' audio in 1997

Herman Clark - My cousin - Loaned me my first amp, a NAD C310 and I built speakers for it and the rest is history...