Bose 901...really

Bose 901s can be EQ'd using any graphic Equalizer with enough boost at both ends of the spectrum. The DEQ 2496 just does so automatically and in the digital domain, plus compensating for the curve of the room(which the Bose EQ does not). It won't do anything for the intermodulation distortion that results, or the fact that the speakers can't possibly creat an accurate image. That not an opinion- it's estabished fact, based on measurable data(the IM) and over 30 years of experience with the design(mine and a multitude of others), using live music as a reference. I WILL grant that using the Behringer and eliminating the Bose piece would probably make the system somewhat more listenable.

Rodman99999...I have been surprised, and you would be also, by the excellent imaging and soundstage created by MY Bose901s in MY room. The wall behind them is 26 ft wide with a cathedral ceiling going up to about 24 ft, and with a wide and tall window in the center. The walls and ceiling are all cedar wood. Talk about reflective!! But the 901s, set out about 6 or 7 ft from the wall, and about 14 ft apart, really like this environment. I bet that few audiophiles who are so critical of the 901s have heard them in such an environment. I did long ago (brick wall in a warehouse) and that's what gave me the courage to try them in my new room.

IM distortion is very anoying to me, but I don't hear any unusual amount from these speakers. I find that it mostly occurs with vocals, and the microphone used to record the voice is usually the source.

Hi Eldartford- I envy you for your soundroom. If I had a room that big, I'd be torn between using it as a listening room, or rebuilding my cars/bike in there(too many loves, not enough room). I've a number of recordings that were done personally, and if anything Bose makes/made could reproduce the original acoustic with ANY semblance of accuracy/reality: You're right- I WOULD be very surprised! Their very method of operation and design preclude that possibility. If you have succeeded in actually reproducing a realistic recording venue, and proper imaging of the instruments within it with those speakers- Your next move should be a trip to Vegas, Monte Carlo and Atlantic City while your luck lasts. You wouldn't be interesting in selling that listening room, would you?

Rodman99999...Actually I would like to build an airplane in the room, but the wife sez "NO!".

What is it about the "method of operation and design" that puts you off. Are you really familiar with Prof Bose original concept for the 901s? I think it was quite creative.

My result isn't luck, but rather is the synergy of an unusual room and an unusual speaker.

Good old Amar's first concoction was the "2601" and had that many speakers(26, or was it 28?) arrayed on the surface of what looked like 2 segments(eighths) of a huge grapefruit that sat in the corners of the room. Of course, the speakers were the same midrange size as he settled on for the 901. I'm not aware of a professional array type that they build outside of the 801s. Shaped the same, but lacking the single driver on what is the front of the 901. For portability, the 801s are hard to beat. I've used them in several venues(small), usually just for speach. They don't project very far(compared to a horn system, and lack any real bottom end.