Harshness in tweeters: the price of transparency?


Hi,

I can't help notice a correlation between ultimate tweeter transparency and having to put up with harshness at loud volume levels. It can be very transparent and smooth to an appreciable volume, bit exceed that and it will go harsh if you apply the materials necessary for max transparency in those drivers.

I owned titanium dome tweeters in Avalon Eclipse speakers that ultimately caused me a case of a decade-long bout with tinnitus from the titanium dome tweeters, even when using a smooth Music Reference RM-9 tube amp.

I then owned a pair of horns with lightweight metal compression driver diaphragms. Again, unbearable harshness at loud levels where the metal "breaks up".

I now own a pair of beryllium dome tweeeters in speakers that again are volume limited before that metallic glare and harshness comes in. When I had silk domes none of that happened to me, but the details and transparency are markedly down for those drivers at all volumes.

The most transparent drivers I heard were the best tweeter horns but at the cost of harshness. They exceeded electrostatics for dynamics and transparency and detail, but at that cost. Electrostatics seem to me to be the best compromise in midrange on up detail and smoothness but with a real decline in dynamics.

Maybe diamond is the answer with its extreme rigidity and hardness. But I'm not rich enough for that yet, and probably never will be.

What's the scoop on the best tweeters out there for all of what I'm asking for here, but at a reasonable price? One possibility that intrigues me is the ceramic tweeter, but again, I don't know and those are not cheap either.

I want to play horns and cymbals loud and clear, without that bite in my ear. Soft domes aren't enough for me, at least not the ones I've heard after hearing horns and beryllium.
ktstrain
Can't help with the best tweeters out there but I have heard the Marten Dukes which have ceramic tweeters. The highs are definitely more transparent and detailed than soft dome tweeters but we were listening at moderate volume levels so I'm not sure if the ceramic tweeter would exhibit harshness at high volumes.

Maybe your tinnitus was caused by constant exposure to loud music rather than the titanium dome tweeters since I noticed you like to listen to your music at loud volumes from what you had written above. I used to listen at high volume levels, probably in the region of 110db(normally it won't last for more than 2 hours) and have been experiencing a slight ringing in my right ear for almost 7 years. According to the ear specialist, I am not suffering from tinnitus and it's just that my ears are slightly sensitive to loud sound. I was advised against listening to music at high volume levels to avoid this "ringing" and was told that there was no treatment to this phenomenon. Since then, I have not experienced any problems with my ears when listening to music at moderate levels, and I realized I have been abusing my ears throughout these years listening at insane levels.

The moral of the story is to practice a safe listening habit with whatever tweeter you ended up with. I also agree with Tvad in that the harshness can sometimes be caused by the recording or the system itself although some really high-end systems can be free from glare and harshness in the upper registers when the speakers are played at high volume levels. Sorry, the topic of discussion has swerved off-course.
I know of no cheap tweeters that dont exibit the problems you list. But I do know of one that doesnt have any of these problems and its a fostex t500amk2. Crossovers can also be a source of harshness in trebile. I have to use very hi-quality parts and tweeters if I want no grain and harshness free trebile with lots of air and detail.
Ia gree that issues in the system are contributing. Herbies Audio makes some of the best isolation and resonance control devices for shelves and components.

A lot of interconnects and speaker cables are hyper-detailed. The lack of warmth magnifies the high freq issues. I very much like PS Audio Transcendent Silver interconncts (havn't tird their silver speaker cables) and Clear Day solid core silver shotgun speaker cables (he advertises here)

Having owned my fair share of monkey coffin speakers over the years, several years ago I made the switch to Magnepan 3.5Rs. The ribbon tweeters are amazing, but will reveal issues mentioned above.
when you get to a certain level of quality in your system, many new factors come into play. what didn't sound harsh and smeary at one time may ultimately display those characteristics. from years of constant trials and upgrades, i have learned a few things.
you may want to try power conditioning, especially on your digital front end and on your pre-amp. different interconnects and speaker cables affect harshness. as mentioned earlier, upgrading crossover components also have an affect. you may want to start there with bypass caps on the tweeter. see northcreek's website for more info, it's not very expensive to do.
i have found that removing static from cd's and lp's makes a huge improvement. i found the furutech d-stat to be far superior to the zerostat, it's also 6 times the price.
good luck with your endeavours
This is quite normal. You are hearing either tweeter compression or tweeter ringing or IMD distortion from the amp driving your speakers or compressed pop music. It is all too common - things sound great at modest levels (as almost all consumer designs do and then fall apart at high levels). Compressed pop music is all too common - so you need to eliminate a large percentage of popular music if you expect to be able to crank it without any harshness at all -see this.

Bear in mind, most consumer designs are not particularly intended to play dynamically and loud - they are mostly designed to sound best at modest levels while looking really great (costly cabinetry and finishes) - consider a pro speaker for you next upgrade -ugly but may get you what you desire.

Light weight materials will ring like a bell (for example metal or ceramic) - the ringing has nothing to do with the music so it is rather intrusive and gives you an etched sound. It can be misinterpreted as detail at low levels much in the way a hypercompressed modern pop CD sounds good at low levels and harsh when you crank it. Like a bell - ringing is worse when you drive the tweeter harder - at high levels it is constantly ringing. The diamond tweeter is perhaps the only exception - it has a resonance well outside the audible band. If you select a pro speaker then chances are much higher that they have chosen a tweeter that performs better at higher levels.

As you crank it your speaker amplifier is being asked to send AMPS of current to the woofers - at the same time it is sending milli-amps (thousandths of an amp) signals to the tweeter. Hardly surprising that this results in loads of audible IMD distortion coming out the tweeter. The amp is trying to feed 'niagara falls' for the kick drum and at the same time provide syringe-like accurate volumes to the tiny tweeter. Active amplification of each speaker driver with a separate amplifier will solve this issue. Funnily enough, most pro speakers are actively amplified...