In my 7.2 HT setup, I have previous generation Mirage OM-R2 L-R surrounds with a hemispherical soundfield (all in phase) and for the rear surrounds I have a pair of nearly omnidirectional Mirage Omnisats, v1. As they are mounted on the wall, they also produce a hemispherical soundfield (also in phase).
That's what I'm saying--with the Omnisats and omnipolar speakers, the directionality is as specific as one could want, but with the wide dispersion, you never sense that one speaker is handing off to another. Together they create a seamless soundfield with exemplary directional specificity.
07-20-08: BlindjimWith the OM-R2 surround speakers or Omnisats, absolutely. Mirage did years of research to get the right balance between direct and reflected sound, and to get the right tonal balance when wide dispersion brings more of the room into play. There's still a strong core of sound coming from the speaker itself, and Mirages (with sufficient power and current behind them) are very dynamic. Their titanium tweeter is particularly fast and smooth.
What about this... ?? the intended directional cues which are in play during the film. Localized sounds. Do they still possess the same snap and pop, or impact which is realized as coming from a directed & intended area?
That's what I'm saying--with the Omnisats and omnipolar speakers, the directionality is as specific as one could want, but with the wide dispersion, you never sense that one speaker is handing off to another. Together they create a seamless soundfield with exemplary directional specificity.
Nope, they'll make you jump out of your seat.
Or is there a loss attributed to the dispersed sonic field? Ex. ricochets, gun shots, breaking glasss, approaching or departing entities?

