Best all around speakers


Just curious what people think around here for best all around speakers for wide variety of musical genres and amplifications needs (tubes and solid state). Not everybody listen exclusively to Diana Krall and Norah Jones and/or acoustical jazz or classical music. Some of us like to listen to a wide variety of music (from rock and roll to bluegrass to blues to you name it) and don't feel the need or want to have a differet speaker for each genre of music. Seems to me many speaker designers have a very narrow taste in music, which unfortunately doesn't reflect what most people listen to, which I think is one of the reasons why many speakers end up disappointing quite a number of listeners.
cleaneduphippy
"A speaker that will not let you hear a bad recording is a poor investment."

It's all a question of degree. I've had systems in my house on which about 10% of the CDs I played sounded great. The rest ranged from tolerable to "run screaming from the room" intolerable. Some would have considered those systems to be wonderfully accurate. From my point of view, they stank. And they're gone from my house, and I am thrilled.

The system I've built now will certainly let me know if I'm dealing with problematic source material. (And I think it is much more appropriate to call it "problem source material" than "a bad recording". What sounds "bad" on one system may well have sounded great to the recording engineer as he was playing it back perhaps as long as 30-40 years ago.) But it is rarely "in your face" about it. I can usually hear the music beyond the sonic problems. That, to me, is a sign of a very well designed system/speakers/whatever.

When I audition equipment at a dealer's, I always take some CDs to play that have problematic sound (in addition to some that sound great on almost anything). That way, I hear the strengths of the equipment, but I am also well aware of whatever fatigue factor exists in the equipment.

A system that is fatiguing to listen to is pretty darn worthless, seems to me. And it is hugely fatiguing to be regularly reminded of all the flaws in the source material you want to hear.
Eweedhome, what's your digital source? That's often the real issue with unlistenable CDs. No front end can overcome an overly compressed extremely poorly mastered CD, but a good player/DAC combination can work wonders with most CDs, removing the glare and digital uglyness marring many CDs.

Dave
You know, I was always pleased with the way some speakers I owned sounded fine on all recordings (CDs). These were Aerial 10Ts and Apogee Stages. No, they didn't do all the amazing things some top-notch speakers do, but they never sounded like mid-fi, either. So I think it is definitely possible to deal with any kind of input across the board.

Another example of tolerant transducers are headphones--notably Senn 650s and (my) Sony R10s. So if they can do it...

And yes, a good CD player can remove the grain and buzz, like the EMM and Playback Designs units.
i think the issue here is :

what is the virtue in suffering ?

it is a poor investment to spend money to suffer.

there will always be "problem" recordings. some collections of recordings can have many of them. it would be nice to be able to enjoy listening to the "problem" recordings.

thus, if one strives toward accuracy, have a second system for the "problem" recordings and listen to the "non-problem" recordings on the "accurate" system, where they can be enjoyed.

if one is to own only one system, let the buyer beware.

beware of what you desire, for you may get it.
this last statement especially applies to high-resolution systems.
i think the issue here is :

what is the virtue in suffering ?

it is a poor investment to spend money to suffer.

MrT - you are missing the whole point of this hobby. Frustration and suffering is where it is at. If you don't have a whip to self flagellate your back while listening to Nina Hagen then you haven't lived.