Did anybody else notice this about PSB Speakers?


I couldn't help noticing that 6 PSB speakers were selected in TAS's Editor's Choice issue this Fall and 4 were also selected as Stereophile Recommended Components. It's not like these two magazines like to agree about things very often. I am pretty sure no other vendor had 6 Editor's Choices in that issue for any sort of component.

One speaker selected only by Stereophile was the $5K PSB Synchrony One as Class A, Limited Extreme LF, right in there with a dozen or more very highly regarded $16K loudspeakers.

Also note that neither magazine has even reviewed PSB's new Platinum line, which is a cut above their Synchrony series and not really that much more expensive.

If I wanted a linear room-filling monster for a large area without breaking the bank, I'd have to look at a Synchrony One and a Platinum T8 tower. But let's not forget that their $279/pr Alpha B1 has owned the entry-level category for decades as well.

Thoughts? Feelings? Opinions?

Disclaimer: I have no affiliation w/PSB, nor do I own any, but I'm very impressed with them.
johnnyb53
Jim wrote: Of course, if one considers any change whatsoever is accomplished to the original tones themselves by the speaker system, as colorations, your point is as valid in that context.

I pray I’ve made my use of the word ‘character’ transparent, and hope it wasn’t used inappropriately.
OK. You have characterized (!) my position correctly. I don't agree with your definitions but, based on them, I can agree with your conclusions.

Kal
Bottom line: if you are listening and drawn in and do not want to stop listening, then ou are on the happy path, which is all that really matters.
Kal

Sorry... we hear differently, various sounds, and we say things differently too. 'Til something better comes along it'll have to do.
you know this could also be a shift of the industry to more modest budget items or even items that provide bang for the buck. Brands that have been making good stuff at a entry level price are getting lots of cred lately. I'm thinking of PSB, era, and a couple others like that.

Paulsax

Good point.

If gear was priced according to time & materials rather than to performance the prices would plunge a goodly amount on many high end components…. with the possible exception of loudspeakers using handmade hard wood cabinets…. And very slow builders.

Tell me there's 4K worth of materials in an 8K cable... or production costs equate to 40 to 50% of the selling price.

Another member pointed out to me about the items in a mod someone was/is selling which amounted to a couple hundred or less... the mod costs >$1K. $700 - $900 labor?

Folks like Paul Barton and a few others haven't quite lost touch with reality yet... or have another perspective on doing business by lowering production costs perhaps.

I also get that time and energy required for R&D, which equates to the very first unit (s) actual cost being quite fantastic, especially if an entirely different direction was taken instead of massaging previous designs about.

Given the diminishing returns of performance vs. price as you step up the audio/video ladder, it's always seemed to me the bulk of the buying public and perhaps just above that should be the targeted audience. many do just that. Too many other's contend to appeal to upper air demographics only.... like Wilson, Magico, etc. I get the impression these ‘artisans’ are simply out of touch. It follows though if you make it you name the price for it too.

At any length, congrats to those entities which continue to provide overachieving goods to the public that are stable, lasting, and affordable more often than not.